60年代的三部曲《穿过黑暗的玻璃》、《冬日之光》和《沉默》,在他看来是“超自然消减”,揭露了上帝的缺失。
His trilogy of the1960s ," Through a Glass Darkly "," Winter Light " and " The Silence ", were described by him as a " metaphysical reduction " in which God 's absence was unmasked .