喜歌剧

第二章海顿音乐喜剧性风格的形成原因探究主要涉及十八世纪启蒙运动、巴罗克精神及十八世纪喜歌剧语言对海顿喜剧性音乐风格形成的影响。

Chapter 2 , ' origins of Haydn 's comedy style ' , which mainly elaborates the influence of the Enlightenment and Baroque 's spirit and the language of opera buffa on Haydn 's comedy music style 's found on 18 century .

但是同时这场喜歌剧已经证明其领导能力有问题。

But the comic opera has meanwhile crystallised doubts about the quality of his leadership .

1995年，他开始在柏林喜歌剧院担任首席驻团指挥。

In1995 , he began his opera career as Erster Kapellmeister at the Komische Oper Berlin .

20世纪室内歌剧之精品&析布里顿的喜歌剧《阿尔贝·埃林》

The Reputation of Excellent Works of 20th Century Chamber Opera & The Analysis of Britten s Chamber Comic Opera " Albert Herring ";

但是梅耶贝尔的喜歌剧创作同样充满了独特的风格并对后来的喜歌剧创作影响颇深。

But the comic opera of Meyerbeer are also filled with unique style and has quite deep impact to later comic opera creation .

而这三位大师喜歌剧的创作风格也各有千秋，都有值得我们去研究和探讨的地方。

But these three masters comic opera creation style also each has his good points , have are worth us studying and the discussion place .

这是一部喜歌剧形式的现实主义歌剧，在法国乃至欧洲的歌剧发展史上具有里程碑的意义。

This is a realistic opera with comic form having the significance of the milestone in history of the development of opera in France and Europe .

下一届选举的结果将更多地取决于失业率而不是奥巴马处理过去一个月有关债务上限问题喜歌剧的方式。

The outcome of the next election will depend more on unemployment than on MR obama 's handling of the past month 's comic opera on the debt ceiling .

莫扎特在写作喜歌剧《费加罗的婚礼》时，把握住了重唱的戏剧力量，以重唱这种声乐形式来创造了喜歌剧风格中潜能价值的全面实现。

In Mozart 's " THE MARRIAGE OF FIGARO ", he grasped the dramatic power of duet and realized the latent value of the opera buffa style by the vocal musical form of duet .

她这时在扮演一群东方美女中的一个。在这出喜歌剧的第二幕中，宫廷大臣让这群美女列队从新登基的国王面前走过，炫耀他的这群后宫宝贝。

She was now one of a group of Oriental beauties who , in the second act of the comic opera , were paraded by the Vizier before the new potentate as the treasures of his harem .

本文试图从卢梭音乐美学思想与喜歌剧的关系这一视角入手，探讨启蒙思想对音乐美学理论的影响，从中看出18世纪音乐美学思想的文化价值及其对音乐实践所起到的作用。

The paper discusses the influence of the Enlightenment thought on music aesthetics theory from perspective of the relation of Rousseau 's music aesthetics thought and comic opera from , we can see 18th century music aesthetics thought 's culture value and the effect on music practice .