盘瓠

盘瓠文化反映出“社会崇拜”的性质。

Panhu culture shows the characteristics of " society worship " .

而盘瓠和盘王是瑶族的图腾崇拜和祖先崇拜。

Panhu and Wang Yao is set totem worship and ancestor worship .

沅陵龙舟竞渡是为了祭祀苗族先祖盘瓠，它远远早于祭祀屈原的龙舟竞渡。

The Yuanling dragon boat race was for sacrificial purpose to Pan Hu-the ancestor of Miao minority group .

平地瑶是作为瑶族的一个分支而存在的，其文化不可避免地打上了瑶文化的烙印，因而对瑶族本民族图腾――盘瓠的信仰是平地瑶文化产生的心理基石。

Ping-Di Yao , as a branch of Yao nationality , is inevitably impacted by Yao nationality culture .

苗、瑶、畲也都有盘瓠崇拜，但是苗族的盘瓠神话已经衰落，且流传范围很小；

The Miao , the Yao and the She also worship the Panhu , but Panhu myth of the Miao already declined .

盘古不是盘瓠。盘古神话研究的现代性：一、开创和谐社会，倡导献身精神；

The modernity of research on Pangu is : firstly , to build a harmonious society and propose a spirit of devotion ;

盘瓠与盘古氏是不同时代的两个人物，代表着原始社会不同阶段的社会状况。

Panhu and Pangu were two different people in different times , standing for social situations in different stages in the Primitive Society respectively .

文章从阶级社会初始阶段的社会特征，从盘瓠神话的性质、盘瓠族群的族源和社会历史状况等方面加以确证，对盘瓠族群的社会历史和文化心理，作出独到的理解和阐释。

Compared with the social characteristics of the early stage of class society of Ancient Han in this essay , the nature of Panhu myths is explained in a new way .