荒诞派

huānɡ dàn pài
  • absurdism;the absurd
荒诞派荒诞派
  1. 二十世纪五十年代在法国出现了一个比较重要的戏剧流派&荒诞派。

    An important school of drama - the Absurd - came into existence in the 1950s in France .

  2. 荒诞派与中国80年代戏剧

    Theatre of the Absurd and Chinese Theatre in 1980s

  3. 荒诞派戏剧的风靡要归功于勒德拉姆。

    Ludlam was responsible for making Ridiculous Theatre something of a cult

  4. 对传统的彻底反叛&荒诞派戏剧特征谈

    A Complete Anti-tradition & On Features of Absurdist Drama Are Anti-traditional

  5. 因而,存在主义作为荒诞派戏剧的哲学基础对这一戏剧流派产生了很大的影响。

    Existentialism is the philosophical basis of the Theatre of the Absurd .

  6. 贝克特是第一个扬名国际的荒诞派作家。

    Beckett was the first of the absurdists to win international fame .

  7. 他的创作在主题和风格上都得益于欧洲荒诞派剧作家。

    His writing style benefits from the European Absurd Theatre .

  8. 荒诞派戏剧对艺术时间秩序的超越

    On the Transcendence of Ridiculous Drama over the Time Order in Art

  9. 从贝克特作品看荒诞派戏剧的特征

    The Works of Samuel Beckett and the Features of the Theatre of Absurd

  10. 她极具荒诞派的幽默感。

    She has a wonderfully absurd sense of humour .

  11. 英国荒诞派戏剧作家哈罗德·品特研究

    Study on Harold Pinter , an English Fantastic Playwright

  12. 对荒诞派戏剧的语用文体研究&以《等待戈多》为例

    Pragmatic-stylistic Study of the Absurd Theatre & A Case Study of Waiting for Godot

  13. 论荒诞派文学的审美特征

    On the Aesthetic Characteristic of Absurdist Literature

  14. 国内外对荒诞派戏剧的研究也主要集中在欧洲荒诞派经典剧作家身上。

    The previous study of the Absurd Theatre mainly focuses on the European classic absurd playwrights .

  15. [1]荒诞派戏剧给读者、观众所带来的双重冲击力也体现在其独具特色的戏剧语言上。

    Such double impacts also reflected on the unique dramatic language of Theatre of the Absurd .

  16. 《等待戈多》出版后,他成了荒诞派戏剧的代言人。

    After publishing of Waiting for Godot , he becomes the spokesman of Theatre of the Absurd .

  17. 荒诞派戏剧与原始宗教

    Absurd Drama and Primitive Religion

  18. 荒诞派戏剧是第二次世界大战后兴起于法国的一个重要戏剧流派。

    As an important form of drama , absurd drama was popular in France after World War II .

  19. 直到六十年代阿尔比在美国剧坛上一举成名,荒诞派戏剧才在美国兴起。

    It is after Albee became famous in the 1960s that the Absurd Theatre appeared on American stage .

  20. 爱德华·阿尔比是惟一一位将荒诞派戏剧引入美国剧坛的剧作家。

    Edward Albee is the only playwright who has introduced The Theatre of the Absurd into American theatres .

  21. 荒诞派戏剧与黑色幽默小说比较研究

    On the Similarity and Difference Between the Drama of " Absurd Groups " and " Black Humor " Novels

  22. 荒诞派戏剧产生荒诞感的重要原因是基于象征手段的极端化。

    The absurdity of theatre of the absurd results , in part , from the radical ways of symbolization .

  23. 《等待戈多》一直被认为是荒诞派戏剧的代表作品。

    " Waiting for Godot " has been regarded as a masterpiece of " Theatre of the Absurd " .

  24. 作为荒诞派戏剧的代表作之一,塞缪尔克特的《等待戈多》被赋予了多种解读可能。

    As one of the representative works of the absurd drama , waiting for Godot has been given various interpretations .

  25. 荒诞派剧作家抛弃了传统戏剧创作所强调的艺术要素和惯用的基本方法,创作了一批从内容到形式上都极为离奇怪诞的荒诞派剧作,揭示了现代人最本真的生存状态。

    The absurd drama playwright abandoned art assets and conventional basic approaches which were emphasized in the traditional dramatic creation .

  26. 在荒诞派戏剧中,剧作家们倾向于运用多种艺术手法来体现其中的荒诞因素。

    In the theater of the absurd , the dramatists use multiple artistic features to show the sense of absurdity .

  27. 同时斯特林堡还以创新的舞台表现力把人的梦境搬上了舞台,使他作品从内容到艺术手法都对荒诞派戏剧的产生起到了直接的影响力。

    Further more , he showed the dreams on the stage , which helped the birth of absurd drama school .

  28. 哈罗德·品特作为英国当代戏剧大师,为荒诞派戏剧做出了卓越的贡献。

    Harold Pinter is a great contemporary British playwright , who has made great contribution to the theater of the absurd .

  29. 本文对荒诞派戏剧产生的背景以及该派戏剧的共同特征作了简单的介绍。

    The Theatre of the Absurd , which was born in France in1950s , toppled over the conception of traditional plays .

  30. 欧洲荒诞派戏剧不再有强劲的势头,但荒诞现象在英国戏剧中却得到了延续。

    Though the Theatre of the Absurd is no longer prevailing in Europe , the absurd phenomenon remains in British drama .