日常生活审美化

围绕“日常生活审美化”这一美学现象，学术界形成了“泛化”论和“异化”论两种截然对立的立场。

As for the aestheticization of everyday life , two opposite standpoints expansionism and alienationism have been arisen in academe .

本文试图通过理论探讨和实证研究两大部分，对产品形象设计在日常生活审美化语境中的应用做一个初步的探索研究。

This essay adopts the theoretical research and empirical studies and attempts to explore initially of the image design of product in the context of the aestheticization of everyday life .

日常生活审美化讨论中，审美主体在审美中的重要性被忽视了。

The importance of aesthetic subject is ignored in the discussion .

下篇围绕日常生活审美化论争展开论述，共分三章。

The bottom revolves Aestheticization of Everyday Life , including three chapters .

设计艺术学视野中的日常生活审美化研究

Study of " Aesthetic Trend of Daily Life " in Design and Art Field

与此同时，我们也应对日常生活审美化保持一定的警惕。

At the same time , we should also maintain a certain aesthetic daily vigilance .

论《白鹿原》审美创造中的反讽艺术日常生活审美化论题辨析与现象反思

Analysis of the Proposition of " Aestheticism of Daily Life " and Reflection on One Phenomenon

日常生活审美化是新型媒介文化人制造的文化幻象；

Aestheticization of everyday life is only a cultural illusion which new media cultural people produced .

身体在场、精神缺席的视觉盛宴&反思日常生活审美化

Reflections on the daily life aestheticism

社会理论的实践性、反思性和批判性为研究日常生活审美化提供了新的视角。

Practice , reflection and criticization of social theory provide researching on the phenomenon with new perspective .

詹姆逊深入细致地从日常生活审美化、快感美学、技术的崇高三个方面来探索这一转型。

Jameson explore this transition from Daily life beautifying , pleasant sensation aesthetics , loftiness of technology .

我们需要更加谨慎和理性的看待日常生活审美化，并对其进行更加深入和细致的研究。

So we have to be more cautious and rational to " the aesthetic of everyday life " and more research is needed .

第五章主要述评日常生活审美化论争中新的美学原则的崛起、被质疑及相应的辩护内容。

In chapter five I retell how New Aesthetics Principle grew up and how it was oppugned during Aestheticization of Everyday Life dispute .

类似这种联系还有很多，这些共同体现了日常生活审美化概念的复杂与多变。

Similar to this link , there are many , reflects the " aestheticization of everyday life " the concept of complex and varied .

而对日常生活审美化更应该进行谨慎的反思，应该把这一美学现象纳入美学批评的框架中来观照。

So there should be a prudent reflection on the aesthetic consciousness and this aesthetic phenomenon should be included in the frame of aesthetic criticism .

我们认为当前在我国影响较大的主要是消费主义思想，日常生活审美化观念和后现代思想美学。这些思想的出现必有存在的合理性、必然性。

We believe that in our country a greater impact is mainly aesthetic conception of the consumer ideology , daily life and post-modern ideological and aesthetic .

日常生活审美化研究，它既可积极发挥审美的人文价值功能，亦可为当代美学带来新局面。

The research either plays a active role for promoting humanism value of the aesthetics , or brings with a kind of fresh air for modern aesthetics .

大众文化审美化的突出表征是日常生活审美化，许多学者因此把大众文化和审美文化等同起来，这显然是不合理的。

Mass culture Aestheticization prominent aesthetic of everyday life are characterized , and many scholars of popular culture and therefore put equated with aesthetic culture , which is obviously unreasonable .

进而分析席勒美学与日常生活审美化研究对象的变化：席勒认为美的对象为“活的形象”，体现了时空的和谐统一；

And then the author analyzes the change of the researching object : Schiller thinks that beautiful object is " alive image " which reflects the harmony and unity in space-time .

“日常生活审美化”以及由它衍生的文艺学科边界问题的论争，无疑是近三年来文艺学、美学界最受瞩目的话题。

The debate over the " aestheticization of daily life " and consequent issues about literature has been a hot topic in the literary and aesthetic circles in the past three years .

日常生活审美化是近年来学术界比较关注的一个热点话题，学者们就该问题的现实依据、价值判断、文学效应等方面展开了长达数年的争论。

" The aestheticization of daily Life " is a hot topic of academics recently , around the actual facts , the value judgment and the literary effect , the debate has lasted several years .

泰州学派把道归结为百姓日用，从审美文化的角度来说，反映了市民社会的审美要求和审美情趣，引领了日常生活审美化和审美日常生活化的新潮流。

Taizhou thought of the Tao categorized as people daily , from the aesthetic cultural perspective , the community reflects the aesthetic requirements and taste , aesthetic , and lead the daily life of the new aesthetic .

目前，中国正经历着向消费社会的重大转型，日常生活审美化、审美的日常生活化等问题开始日益凸现，文学逐渐被边缘化。

At present , the Chinese society is transforming into the mass consumption society , such as the daily life change to esthetic , esthetic daily adaptation and so on . The literature has gradually trend to the edge .

大众文化语境中美的内涵及显现形态发生了转向，以所谓日常生活审美化成为当下社会运作的组织原则。

The connotation of beauty and its appearance morphogenesis have been changed in the context of mass culture , with the so-called " the daily life is esthetic " being " the organization principle " of the present social practice .

关于设计的形式和时尚，本文将从设计的定义、设计的历史等方面加以阐释，来展开对于设计在日常生活审美化语境下的艺术体现的探析。

On the design of the form and fashion , this article from the definition of design , design history and so on to explain , to begin to design the " Daily Life " in the Context of the art embodied .

面对社会转型特别是文化转型，日常生活审美化、图像挤压文字等诸多现象，引发了学界与大众对后现代消费文化的审美焦虑，从而呼唤传统美学理论的发展与创新。

The cultural transition rather than the social transition such as aesthetics of daily life , images of distorted words cause anxiety of the academy and the mass for postmodern consumption culture , which invokes the development and innovation of traditional aesthetical theory .

随着日常生活审美化现象成为大众日常生活的重要部分，也成为了大众文化研究的重要内容，国内外学者对其进行了深入的分析和探讨，甚至争论。

Along with the aesthetic daily life phenomenon become an important part of mass daily life , also be the important content of the research on popular culture of the scholars at home and abroad are carried on the thorough analysis and discussion , even debate .

第七章从马克思主义文艺理论中国化的视阈透析日常生活审美化论争，认为新的美学原则取消艺术与生活的距离，将物质现实直接等同于艺术，实质上是取消美学原则、取消艺术。

In chapter seven I analyze Aestheticization of Everyday Life from the Chinese version of Marxist theory of literature and art . I think New Aesthetics Principle cancels difference of arts and life and equals life to arts , canceling aesthetics principle and arts in essence .

本文拟对现代社会的日常生活审美化概念进行辨析，廓清三种审美化现象的源头与影响，并在最后斗胆尝试对这一命题做出自己的总结和评价。

This paper the concept of " aestheticization of everyday life " in modern society to discriminate the source and impact of the clearance of three kinds of aesthetic phenomenon , and this proposition in the last ventured to try to make their own summary and evaluation .

第二，大众文化提供了人们日常生活消费和文化再生产的资源，建构起平凡叙事模式，实现了日常生活审美化和文化审美日常化；

Secondly , popular culture has offered the resource of daily consumption and culture reproduction , formed the ordinary narration mode and realized the aesthetic daily life and the daily aesthetic cultures ;