艺术冲动

文艺起源于审美、爱美、求美、创造美的艺术冲动。

Literature and art stem from the artistic impulse for appreciation , love , pursuit and creation of beauty .

那些好人一举一动都同时遵从着自然的艺术冲动，一言一语至少唱出一些东西，所以感情稍有波动，便立刻尽情高歌一曲。

who simultaneously with every action follows a natural artistic impulse , who accomplishes his speech with a little singing , in order that he may immediately break forth into full song at the slightest emotional excitement .

日神（Apollo）和酒神（Dionysus）是尼采美学的一对核心概念，代表植根于人的本能中的两种艺术冲动。

Apollo and Dionysus are two key concepts in Nietzsche 's aesthetics and represent two artistic impulses in human instinct .

所以这两种艺术冲动，不得不依照永恒正义之规律，按严格的互相比例，各自展开其威力。

Thus these two art drives must unfold their powers in astrict proportion , according to the law of eternal justice .

我们可以说，欧里庇德斯的非常丰富的批评才能，正如莱森的那样，即使不产生，也会不断妊育着一种接进创作的艺术冲动。

Of him it may be said that the extraordinary richness of his critical gift had helped to produce , as in the case of Lessing , an authentic creative offshoot .

一般性的前提和对照既已说明，现在让我们进而研究古希腊人，看看发乎自然的艺术冲动在希腊人中间发展到何等高度。

Having set down these general premises and distinctions , we now turn to the Greeks in order to realize to what degree the formative forces of nature were developed in them .

第二部分从四个方面，即悲剧主题、悲剧精神、悲剧的两大艺术冲动以及悲剧效果，概述了尼采的悲剧思想。

The second part is a general introduction to Nietzsche 's tragic thoughts in four aspects , namely , tragic themes , tragic spirit , two impulses of tragic art and tragic effect .

在这些力量中，发乎自然的艺术冲动，获得最方便最直接的满足：一方面是梦境的绘画境界，它的美满是不依赖个人的知识高超和艺术修养的；

At this stage artistic urges are satisfied directly , on the one hand through the imagery of dreams , whose perfection is quite independent of the intellectual rank , the artistic development of the individual ;

直到我们重新发现这种二重性原来是希腊悲剧的根源和本质，是梦神型与酒神型两种彼此交错的艺术冲动之表现。

that is , we discovered that the discrepancy was closely bound up with the very origin and essence of Greek tragedy , as the expression of two interacting artistic impulses , the Apollinian and the Dionysian .

民歌广泛流行于所有民族之间，而且不断滋乳蕃生，日益壮大，足证性灵的这种两重性艺术冲动是多么强大，它在民歌中留下痕迹，正如一个民族的秘仪活动赖其音乐而流传后世。

Its tremendous distribution , as well as its constant proliferation wherever we look , attests the strength of that dual generative motive in nature : a motive which leaves its traces in folk song much the way the orgiastic movements of a nation leave their traces in music .

阻力因素对艺术创作冲动起着重要作用。

Hindrance factors play an important role in the impulse of artistic creation .

简论艺术创作冲动

Brief Comments on the Impulse of Artistic Creation

人类自从有艺术创作的冲动以来，所能熟悉的造型方式就是绘画和雕塑，这种状况延续了几千年。

From the beginning of art creation , the art product has been only painting and sculpture and this lasted a thousand years .

游戏与艺术&席勒游戏冲动说的合理内核、历史局限与文化意义

Game and Art & Schiller 'S theory of game impulse and its rational core , historical confinement and cultural significance

在贯穿人类历史的全过程中，对艺术表现的强烈冲动就像人类对食物、住所和繁衍的迫切需要一样强烈。

Throughout the history of humanity the urge to artistic expression has been almost as powerful as the urge for food , shelter , and procreation .

正是这种产生艺术，使得生活丰富多彩，引诱人活下去的艺术冲动，促使奥林匹斯神界诞生，希腊的“意志”就以这神界为明镜，照见自己容光焕发。

The same drive which called art into being as a completion and consummation of existence , and as a guarantee of further existence , gave rise also to that Olympian realm which acted as a transfiguring mirror to the Hellenic will .