Euripides
- n.欧里庇得斯(公元前480-约公元前406,希腊剧作家,其现存的19部戏剧表明他在处理传统神话中的重要创新,如引入现实主义、对女性心理的兴趣以及对变态心理的描写;代表作有:《美狄亚》、《希波吕托斯》、《厄勒克特拉》、《特洛伊妇女》和《酒神的伴侣》)
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Comparison between Iphigenia 's Images by Goethe and the One by Euripides
歌德和欧里庇得斯笔下的伊菲革涅亚形象比较
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Euripides ' View on War
欧里庇得斯战争观管窥
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One of the two spectators I just spoke of was Euripides himself ,
这两个观众之一,就是欧里庇德斯自己。
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Whom the gods destroy , they first make mad . ( Euripides )
上帝要谁覆灭,必先让他猖狂。(欧里比德斯)
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one might say that Euripides succeeded in transporting the spectator onto the stage .
那末,我们只须指出:欧里庇德斯把观众带上舞台。
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We can hardly go wrong then in calling Euripides the poet of aesthetic Socratism .
因此,我们不妨认为,欧里庇德斯是审美苏格拉底主义的诗人。
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Athena and Euripides don 't complete their work until the dialogue 's close .
指导对话结束,雅典娜和欧利比的司才算完成了他们的工作。
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Try as he may to comfort us with his recantation , Euripides fails .
现在,欧里庇德斯妄想以他的后悔来安慰我们,他没有成功。
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But what relationship can be said to obtain between such an ideal Apollinian drama and the plays of Euripides ?
那么,欧里庇德斯的戏曲对梦境戏曲的理想之关系是怎样呢?
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Euripides : Fine . So what do we need , about a thousand workstations ?
好。那我们差不多要一千台工作站吧?
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Meanwhile choirmaster Euripides was the object of fulsome praise ;
然而,歌队长欧里庇德斯还是不断博得称誉;
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Euripides sat in the theater pondering , a troubled spectator .
所以,他坐在剧场里,忐忑不安的思索;
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Helen by Euripides & What a man should Be
欧里庇得斯笔下的海伦&人应该有的样子
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When I said earlier that Euripides had brought the spectator on the stage in order to enable him to judge the play ,
我们在上文说过,欧里庇德斯曾把观众带上舞台,同时使观众确实有能力评判戏剧;
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In this context we can understand the passionate fondness of the writers of the new comedy for Euripides .
从这种渊源关系,不难理解,为甚么新喜剧的诗人们对欧里庇德斯抱着这样热情的倾慕。
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Let us now look more closely at the Socratic tendency by means of which Euripides fought and conquered Aeschylean tragedy .
现在,让我们进一步考察这种苏格拉底倾向。欧里庇德斯就是以它为武器来斗争,而战胜埃斯库罗斯的悲剧的。
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But Euripides reasoned quite otherwise .
然而,欧里庇德斯却完全从另一角度来考虑。
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On the Differences in Creation Between Sophocles and Euripides & Take the Same Name " Electra " as an Example
论索福克勒斯和欧里庇得斯创作之不同&以同名剧《埃勒克特拉》为例
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Euripides set out , as Plato was to do , to show the world the opposite of the " irrational " poet ;
欧里庇德斯企图对世人指出这种“不知不觉的”诗人之对立面,正象柏拉图曾经指出那样;
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The death struggle of tragedy had been fought by Euripides , while the later art is known as the New Attic comedy .
欧里庇德斯亲身经历过悲剧的垂死挣扎之苦。这种后起的艺术叫做阿提刻新喜剧。
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Who neglects learning in his youth , loses the past and is dead for the future & Euripides , Greek philosopher .
年轻时忽视学习之人,失掉了过去也埋葬了未来&欧里彼得斯,希腊哲学家。
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Nothing could be more at odds with our dramaturgic notions than the prologue in the drama of Euripides .
再没有甚么比欧里庇德斯的悲剧序幕更违反今日的舞台技巧了。
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Many great ancient writers , including Plato , Aristotle , Euripides , Cicero , Seneca and others had this false belief .
古希腊罗马的许多作家,包括柏拉图、亚里士多德、欧里庇德斯、西塞罗、塞内加等都对此深入不疑。
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All the same , Euripides thought he noticed chat during those early scenes the spectators were in a peculiar state of unrest
然而,欧里庇德斯仍然认为,他看出:观众在头几场中,尤其焦急要解答剧情的前因后果,
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The fact that the aims of Socrates and Euripides were closely allied did not escape the attention of their contemporaries .
苏格拉底同欧里庇德斯的倾向有密切关系,当时古代人也曾注意及此。
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The truth of the matter is that no Greek artist ever treated his audience with greater audacity and self sufficiency than Euripides ;
其实,再没有一个希腊艺术家,象欧里庇德斯那样,以孤傲和自负来对待他的观众了;
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the thinker Euripides , not the poet .
是思想家欧里庇德斯,而非诗人欧里庇德斯。
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and one might then be tempted to praise Euripides ' radical tendency to establish a proper relationship between art work and audience as an advance upon Sophocles .
也会使人贸贸然赞扬欧里庇德斯这一急进的倾向,认为他建立了艺术作品对观众的正确关系,比索福克勒斯向前迈进一步。
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FOREMAN : You thought he was being poisoned by hemlock ? Dr. Euripides tell you to check for that ?
你曾认为那是芹叶钩吻毒?欧里庇得斯让你去检查的么?
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Euripides would never have endorsed Sophocles ' statement about Aeschylus -- that this poet was doing the right thing , but unconsciously ;
索福克勒斯曾谓埃斯库罗斯做了正确的事,虽则是无意为之,但是欧里庇德斯当然不会持此见解。