Sophocles
- n.索福克勒斯;索福克莱斯
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No honest man can argue both sides well . & Sophocles
诚实的人难以两面讨好。&索福克勒斯
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Laws can never be enforced unless fear supports them . & Sophocles
如果法律没有威力支撑,它绝不能生效。&索福克勒斯
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Time is a gentle deity , said Sophocles .
时间之神温雅从容,索福克勒斯如是说。
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This can be observed most clearly with Horace and Sophocles .
这一切在贺拉斯和索福克勒斯的著作得到了充分地表现。
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Sophocles conceived doomed Oedipus the greatest sufferer of the Greek stage ,
希腊悲剧中最悲哀的形象,不幸的奥狄浦斯,
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God of Greece and Confucianism & the Belief Option of Sophocles and GUAN Han-qing
希腊神与儒道&索福克勒斯与关汉卿的信仰抉择
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An Eternal Myth : Criticism , Interpretation and Reception of Sophocles ' Oedipus Rex
永远的神话&索福克勒斯《俄狄浦斯王》的批评、阐释与接受
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Shelley 's body was identified by the volumes of Keats and Sophocles found in his pockets .
从一具尸体的衣服口袋里发现了济慈的诗集和索福克勒斯的集子,从而证实那就是雪莱。
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The first part is the introduction of the background of ethical issues in the works of Sophocles , as well as the impact on the city residents .
首先,简要介绍索福克勒斯作品中伦理问题形成的时代背景,以及索福克勒斯悲剧对当时城邦居民的影响。
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It is also generally recognized that Aeschylus and Sophocles enjoyed all through their lives and longer the full benefit of popular favor ,
反之,如所周知,埃斯库罗斯和索福克勒斯,终其一生,甚至死后很久,都甚孚众望;
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On the Differences in Creation Between Sophocles and Euripides & Take the Same Name " Electra " as an Example
论索福克勒斯和欧里庇得斯创作之不同&以同名剧《埃勒克特拉》为例
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In the process of the Ancient Greece tragedian 's increasement , Aeschylus and Sophocles sequentially played quite an important role .
在古希腊悲剧演员数量增加的历史进程中,埃斯库罗斯与索福克勒斯先后扮演了极其重要的角色。
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This paper explores the background , destiny , and a long history of criticism , interpretation and reception of Sophocles ' Oedipus Rex .
本文追溯了西方文学经典之一《俄狄浦斯王》的产生背景、历史命运,及其批评、阐释和接受过程。
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Sophocles long ago Heard it on the Aegean , and it brought Into his mind the turbid ebb and flow Of human misery ;
古时索弗克斯曾聆听过爱琴海的波涛,令他想到此消彼长人世的苦恼。
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Allied with him he could risk coming out of his isolation to fight that tremendous battle against the works of Aeschylus and Sophocles ;
同这观众联合起来,摆脱了孤立的情况,他就敢于展开反对埃斯库罗斯和索福克勒斯的艺术作品的残酷斗争;
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Hasty advice is unreliable . & Sophocles
仓促的劝告不可靠。&索福克勒斯
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Sophocles long ago , heard it on the Aegean , and it brought into his mind the turbid ebb and flow Of human misery ;
古代的诗人索弗克斯,在爱琴海上也曾聆听过这涛声的咏叹。由这混杂的潮汐,想到人世的苦难。
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and one might then be tempted to praise Euripides ' radical tendency to establish a proper relationship between art work and audience as an advance upon Sophocles .
也会使人贸贸然赞扬欧里庇德斯这一急进的倾向,认为他建立了艺术作品对观众的正确关系,比索福克勒斯向前迈进一步。
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Euripides would never have endorsed Sophocles ' statement about Aeschylus -- that this poet was doing the right thing , but unconsciously ;
索福克勒斯曾谓埃斯库罗斯做了正确的事,虽则是无意为之,但是欧里庇德斯当然不会持此见解。
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Already in Sophocles we find some embarrassment with regard to the chorus , which suggests that the Dionysian floor of tragedy is beginning to give way .
关于歌队的难题,早已在索福克勒斯的作品中表现出来:——一个重要的迹象是在他的剧中,悲剧的醉境基础已经开始崩溃了。
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The ages of Shakespeare and of Moliere are no less past than are the ages of Sophocles and of Virgil .
萨福克里斯和维吉尔的时代并不比莎士比亚与莫里哀的时代“古”。
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Hellenic tragedy The King Oedipusis wrote by Sophocles , Chinese modern tragedy Thunder Storm is wrote by Cao Yu , and the two writings are famous .
古希腊悲剧《俄狄浦斯王》和中国现代悲剧《雷雨》在故事情节的设置、母题的选择等方面都有不少相似之处。
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while Sophocles in his Oedipus intones a paean to the saint .
另一方面,索福克勒斯在“奥狄浦斯”一剧中则高唱圣者的凯旋歌的前奏曲。
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( Greek mythology ) a tragic king who unknowingly killed his father and married his mother ; the subject of the drama Oedipus Rex by Sophocles .
(希腊神话)一位悲剧国王,无意中杀父娶母;索夫克勒斯戏剧俄狄甫斯王的主角。
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The third place went to Sophocles , who had boasted that , in contrast to Aeschylus , he not only did the right thing but knew why he did it .
索福克勒斯名列第三,他自诩比诸埃斯库罗斯做了更正确的事,而且正因为他知道甚么是正确的,所以毅然为之。
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In another direction also we see at work the power of this un-Dionysian myth-opposing spirit , when we turn our attention to the prevalence of character representation and psychological refinement in tragedy from Sophocles onward .
另一方面,如果我们转而注意到自索福克勒以来在悲剧方面流行的性格表现和心理描写,我们就看见这种反神话的非酒神精神在活跃。
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With the help of Aristotle 's insight of tragic catharsis in Poetics , Jacques Lacan analyzes Sophocles ' Antigone and develops his peculiar and general tragedy theory .
拉康以亚里士多德《诗学》中关于悲剧的净化作用为出发点对古希腊悲剧,尤其是对索福克勒斯的《安提戈涅》进行了解读分析,形成了自己独特的悲剧理论。
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In this to accommodate the17,000 people theatre have been staged countless field Aeschylus , sophocles , and Euripides tragedy works and aristophanes 's comedies .
在这足以容纳17000人的剧场里曾经上演过无数场埃斯库罗斯、索福克勒斯和欧里庇得斯的悲剧作品及阿里斯托芬的喜剧作品。
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By the development of the poets the Aeschylus , the Sophocles and the Euripides , the life tragedy went through the process from the birth and the flourish to the deterioration .
古希腊的生命悲剧经过埃斯库罗斯、索福克勒斯和欧里庇得斯三位悲剧诗人,实现了它的发展、繁荣到衰落的历程。
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The tragedy of Aeschylus and Sophocles had used the subtlest devices to furnish the spectator in the early scenes , and as if by chance , with al } the necessary information .
埃斯库罗斯和索福克勒斯的悲剧,运用最巧妙的艺术手段,在头几场中就把了解剧情所必需的开发线索,好象是无意中交到观众手上:c