主部主题
主部主题-
突破传统和弦的禁锢，开拓新的音响思维&贝尔格《钢琴奏鸣曲》Op.1主部主题中四度叠置和弦的结构特征与发展手法
Break Through the Shackles of Traditional Chords , Open Up Original Sound Thoughts / Structure Features and Developing Techniques of the Fourth Chord in Berg 's Piano Sonata Op.1
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海顿钢琴奏鸣曲第一乐章主部主题句式研究
An Analysis of the First Theme Syntax in the First Movement of Haydn Piano Sonata
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第二章是本文的主要内容，这两章对海顿主部主题句式展开深入研究。
The content of the second chapters is the primary coverage of this thesis . In these two chapters , the author carried out an in-depth research to the syntax of the first theme of Haydn and Beethoven piano sonata .