产品符号学

产品符号学理论将为通用设计提供更为广阔的发展空间，用通用的设计理念，以产品符号为物质媒介，可以在复杂的文化环境中创造更加合理的多元生活方式。

By adopting the principle of universal design and taking the product semiotics as the material medium , it creates more reasonable life style in the complicated cultural environment .

在后面的几个章节中，在产品符号学的层面上结合实例对构成产品的主要视觉符号：形态符号、材质符号和色彩符号的结构和功能展开了详细论述。

In behind of a few chapters we in the foundation that product sign learn to main sense of vision sign that composing product : The appearance sign , material sign launch the detailed treatise with the construction of the color sign with the function .

它缺乏有针对性的产品的符号学研究。

It lacks of the study with clear aims on the products of a specified kind .

产品设计的符号学解构

Deconstruction of product design by Semiotics

并强调指出，研究产品语义学和产品符号学要从产品设计出发，不能囿于符号学的理论。

Finally , this paper highlights that research on product semantics and product semasiology should be based on product design itself and should not be constrained in the theory of semasiology .

产品语义学和产品符号学已经成为产品设计的重要理论，但至今还少有文章着重阐述两者之间的关系，尤其是两者之间的差别。

Little study has been done into the relationship between product semantics and product semasiology , two fundamental theories in the field of product design , especially into the differences between them two .

在符号学的基本理论一章中，首先阐述了与产品设计相关的符号学的基本理论和概念，为后面的研究做好铺垫。

In " the basic theories that sign learn " chapter , we expatiated to design with product the basic theories that related sign learn first with the concept , for behind of the research works well the cushion .

目前关于家具设计的文献，有的将产品符号与文脉相联系，泛泛地探讨了产品符号学在一些产品设计上的应用。

In the currently cultural heritage concerning furniture design , some of it get up the products semiotics and cultural context contact and vaguely study the use of products semiotics on products design .