元小说

在构筑这些小说文本的过程中，约翰·巴斯使用了元小说、戏仿和反讽的写作方法。

While weaving the texts of his novels , John Barth uses the methods of metafiction , parody , and irony .

因此，作为一种文学模式的元小说是值得放在特定的文学作品中进行研究的。

Therefore , as a kind of fictional mode , Metafiction is worthy of studying by implying it in a certain literary creation .

J.M.库切在《慢人》这部小说中所用的元小说叙事旨在探求小说与现实的关系并提出当代小说创作的新的出路。

By using the metafictional narrative strategies , J. M. Coetzee aims to reveal the interdependent relationship between fiction and reality as well as put forward a fresh way for contemporary writing .

安德森的《林中之死》的元小说特征

Anderson 's Exploration of Metafiction in His Death in the Woods

在这三个阶段中，“元小说”研究在中国各自具有不同的特点。

These stages had their own characteristics different from each other .

这些典型的元小说元素对于《尾数》这部小说的解读有着重要的意义。

These typical meta-fictional elements are of great significance to demystify Mantissa .

《迷失在开心馆》的元小说主题分析

An Analysis of Metafictional Themes in Lost in the Funhouse

元小说的兴起是文学自身演进的结果

The Rise of Meta-Fiction is the Result of Evolution of Literature Proper

《法国中尉的女人》的元小说性

The Properties of Meta-Fiction of the French Lieutenant 's Woman

第四章阐释了《爵士乐》的元小说技巧。

Chapter four discusses the meta-fictional skill of Jazz .

通观全文作者把元小说的主题表现的淋漓尽致。

Throughout the novel , the author displayed the metafictional themes to the most .

元小说：暴露虚构的话语策略

Meta-fiction : the Discourse Strategy for Fictive Exposure

元小说研究在中国

The Study of Meta fiction in China

论元小说叙事中作者出面的不成立

" The Presence of Author " Can Not Be Found in the Narrative in Metafiction

无限可能性参与进叙事层面并构成元小说。

Numerous possibilities have joined the " narration plane " to constitute the " meta-fiction " .

本文着眼于元小说技巧运用的另一大作用：引导读者获得前所未有的阅读自由。

Fowles has masterly manipulated the metafictional techniques to enunciate the motif of the novel & freedom .

试论后现代元小说中表演型人格&以约翰·巴思的小说《路的尽头》为例

Histrionic Personality in Postmodern Metafiction & By Taking John Barth 's The End of The Road as an Example

由元小说产生的元叙事和互文性大量出现在现代派小说之中，造成了现代小说叙事的重大转型。

Meta-narrative and inter-textuality induced by meta-fiction appearing in modernist novels lead to the change of narrative of modern novels .

导言介绍了作者约翰·福尔斯及其小说《尾数》，并对关键词元小说加以定义。

Introduction includes a brief introduction to John Robert Fowles and his Mantissa , and then defines the key term meta-fiction .

体现现实的不确定性恰恰是为了更全面地理解现实，其中所运用的元小说技巧，已经更加娴熟和易懂。

It stresses that , to reflect the uncertainty of reality is for the sake of understanding the world more comprehensively .

王小波小说叙事艺术的新颖独创凸显出元小说的某些特征。

In the fictions by Wang Xiaobo , the novelty and original of the narrative art show some characteristics of meta fiction .

元小说的创作手法大都突破了以往的包括现实主义、现代主义在内的文学传统，极具创新性。

The writing techniques of Meta-fiction have mostly broke out the previous literary tradition that including realism 、 modernism and highly innovative .

本文探讨二者的产生和发展中的相互关系，期望得出史学性叙述在后现代主义历史编纂元小说中的意义。

This article explores the relationship of them two , expecting to understand the meaning of historical narrative in the post-modernist historiography metafiction .

有文学评论家称之为实验小说，或元小说，或后现代小说。

It is classified as an " experimental " novel , a metafictional work , and is also called a postmodern novel by some critics .

一是：元小说作为将自身作为表现对象的小说，首要的哲学问题是小说本体论的问题，即小说与现实的关系。

One is the preliminary and philosophical question of metafiction : the ontological status of fiction , namely , the relationship between reality and fiction .

本文的主旨便是：以《公众的怒火》为范例，分析元小说的写作技巧赋予了文本深刻的含义和独特的艺术魅力。

The author tends to , with The Public Burning as an example , analyze how metafictional techniques endow the text profound implication and unique artistic charm .

从故事讲述方式和叙述人称的游戏、对古老文本的戏仿和元小说写作探讨这种文本的游戏中隐含着的艺术精神。

The author probes the spirit of art implied in the ' game of text ' from the viewpoints of narrative style , parody narration and metafiction narration .

本文以复调理论对福尔斯的这部一向被视为元小说的作品进行新的阐释。

With the concept of polyphony , The article makes a new explanation of The French Lieutenant 's Woman which was always regarded as a " metafiction " .

他的小说叙事艺术变革体现在两方面：一是“元小说”的大胆尝试，二是叙事时间的颠倒错乱。

The transform has been reflected in these two aspects : one is the bold attempts of the meta-fiction writing and the other is the inversion of narrative time .

元小说是近半个世纪以来最受关注的小说形式之一。它最突出的特点是作者在文学创作的过程中思考探索文学写作的创新，所以元小说被定义为关于小说的小说。

In the past fifty years , Metafiction is one of the most noticeable fictional forms whose outstanding feature is that writers reflect on fiction creation by means of writing .