吴昌硕

实际上，在吴昌硕的诗中，我们亦能清楚地看到其金石书画的影子，而正是因为有了这些影子，才使他的诗歌具有一种独特的艺术美。

In fact , we also can learn the unique artistic characteristics of calligraphy , painting and print from his poems .

诗文书画有真意，贵能深造求其通&论吴昌硕诗歌的美学特色

Poems ' calligraphy and painting have original meaning because of its probe into understanding & The aesthetic characteristic of WU Chang-shuo 's poems

吴昌硕对书法之于文人写意绘画的基础性强调和实践操作，几乎伴随其一生。

Wu 's opinion that calligraphy is the base and practice for the freehand brushwork of the scholars ' accompanies him for most of his life time .

本文以篆刻印语为切入点，在介绍篆刻艺术历史背景的基础上，以篆刻艺术大师吴昌硕为个例。

On the base of introduction the history of the seal cutting art , Wu Chang Shuo who is the seal cutting art master is the typical model .

吴昌硕对近现代韩国美术起到了巨大引领作用。与此同时，吴昌硕与齐白石对其他韩国主要画家的艺术影响力也是巨大的。

Wu Chang-shuo played a great leading role in Korean Modern Art . Meanwhile , Wu Chang-shuo and Qi Bai-shi also had great artistic influence on many other major Korean painters .

本文主要从金石气、以丑为美等方面探讨了吴昌硕诗歌的美学特色，从而试图找到其诗歌与金石书画的相通之处。

It is explored the aesthetic characteristics of WU Chang-shuo 's poems from print characteristic , taking ugliness as beauty and so on to find out the relationship between these four skills in this paper .