弋阳腔

关于弋阳腔的历史传播与当代发展的思考

On the Historical Communication and the Contemporary Progress about Yiyang Tune

弋阳腔的历史足迹和现代启示

The Historical Track of Yiyang Tune and Its Modern Enlightenment

从用调习惯、方言韵和方言白考出均属弋阳腔传奇；

Judging from the choice of tones , and rhymes and dialogues in local dialect , the five scripts were written for the Yiyang opera .

实际上，这些南戏声腔虽然可能受到了广泛流播的弋阳腔的影响，但在音乐特质上仍然存在本质的差异。

In fact , Nan Xi Sheng Qiang is somewhat affected by widely-submitted Ye yang tune-patterns , but there is still substantial discrepancy on music idiosyncrasy between them .

湘西阳戏的声腔源于弋阳腔，演员在表演时常常运用真假声相结合的方法演唱，有自己独特的音乐特征。

The tune pattern of Yang drama , which has now taken on its unique musical features , came of the Yiyang tune in the production of which the singers combines authentic voice with falsetto .

从源流上看，它直接承袭宋元南戏而来，并受到明代弋阳腔戏曲的广泛影响；从文本上看，它既具有浓厚的文学意蕴，又富含生动的舞台效果。

They directly originated from Nanxi of Song and Yuan , and were extensively affected by Yiyang dramas of Ming . Their texts were not only having strong literary meaning , but also having rich vivid stage effects .

而弋阳诸腔所具有的种种艺术特征，正体现出其以戏为本体的审美追求。

All the art characters of Yi yang tune-patterns embodies the pursuing which takes drama as the noumenon .

在这些学术背景下，弋阳诸腔在戏曲史中的地位与价值也愈发突显。

In such learning background , Yi yang tune-patterns plays more and more important role in the history of drama .

具体而言，对于戏曲的发展与变革，弋阳诸腔正是其中的主体力量与主要因素。

In detail , Yi yang tune-patterns is the principal part and major factor in the development and revolution of drama .

而以戏曲史的角度来看，弋阳诸腔也处于明代戏曲创作、演出与欣赏的主体地位。

In the point of view in the history of drama , Yi yang tune-patterns is still the principal part in drama creation , performance and appreciation in Ming .