形式感
- 网络sense of form
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初步得出的结论是:管窥当下的雕塑创作,形式感往往多于叙事性。
The conclusion is that overview the creative of sculpture now , the sense of form is more than the narrative .
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形式感:比较当代的表现手法,童话与现实的巧妙贴合,似乎在梦里又在现实中。
Sense of form : contemporary performance practices , fairy tale and reality cleverly fit , it seems that in a dream in reality .
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第一行表明您只对符合条件的客户的第一个email地址的文本表示形式感兴趣。
The first line indicates that you 're interested in the text representation of the first email address of qualifying customers .
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一切归于形式感&论黄泉福先生佛教造像的形式美
All Due to Formal Feeling : Analyzing formal beauty of Buddhist Portray
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它主张创新,追求形式感,强调个性,重视工艺美术。
It advocated innovation , pursuing modality , emphasizing individuality and industrial arts .
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丰富的色彩表现方式加强了画面的形式感和表现力度。
These color skills strengthen the form feeling and strength of the painting .
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20世纪中国作家的形式感论纲
The Sense of Literary Presentation of the Chinese Writers in the 20th Century
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语感是言语形式感
Language sense is the sense of language form
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诗歌是最具有形式感的文学形式。
The poetry is the one which emphasize form most importantly in all literature forms .
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壁画是很注重形式感的绘画艺术。
The form of wall paintings is a sense of focus on the arts of painting .
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从整体上强调了量感和形式感,测电量用感应测量仪表
They emphasize a sense of forcefulness and beautiful shapes . induction instrument for measuring electrical quantities
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驾驶中心和这种运动的形式感强调了品牌的情感因素。
The emotional aspect of the brand is underlined by the driver focus and the kinetic form .
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为了表达内心的残缺,他的画面通常构图和节奏的形式感很强。
Usually composition and rhythm in the form of a strong sense of order to express inner incomplete .
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加工与重构&诠译图形设计的形式感关于不同感觉形式的。
Processing and re-conformation & On the form feeling of graphical design ; relating to different sense modalities .
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诗是语言艺术中最具形式感的文体,音乐性是其最重要的形式特征之一。
Poem has the obvious modality style in language art and melodiousness is one of the most important modality .
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他们对意象的择取,对形式感的重视,体现出异于传统文化氛围的现代主义情绪。
By choosing the image and emphasizing the structure , they show modernist sentiments , different from the traditional culture .
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从而突出画面因此而形成的形式感,人物间的疏密排列,大小安排也为画面的节奏增色不少。
The density of this arrangement , the big and small of the characters will all contribute to the rhythm .
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同时,也使得艺术的形式感更加强烈,更加富有感染力。
At the same time , it also causes artistic the form feeling to be more intense , richer power .
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你也可以把它当成一种构成因素,一种画面形式感,表现就是这样的。
You can regard it as a constitution element and a kind picture pattern feeling , that is , expression .
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于是审美理想,审美情感形式感是艺术构成的本质要素。
As a result , aesthetic idea and the form sense of aesthetic feeling are the essential elements of art .
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好的形式感是自然的美好呈现或再现,坏的形式感是扼杀自然的凶手。
The good form feeling is natural presents or the reappearance happily , the bad form feeling strangles the natural murderer .
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第三部分,从艺术的表现手法来分析研究,神兽木偶的功能美和形式感美。
The third section analyses the functional aesthetics of the sacred animal puppet and formal aesthetics with the artistic expressive way .
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西方绘画的音乐性则与西方现代美术观有着错综复杂的关系,根据主题和形式感的不同呈现不同的面貌。
The western music painting then is different from the form feels of to present the different feature according to the topic .
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纤维艺术只有跳出形式感的自我复制,才能使得个体感觉的智慧型变为对观念性主题的诉求。
Fiber art out of the form sense only copy themselves , to make the individual feeling a smart idea sex topic demands .
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正是确证感向同情感和形式感的发展以及劳动的异化,使审美完成了从非审美和前审美到纯粹审美的全过程。
It is the development of conclusive evidence towards sympathy and form and the alienation of labor that fulfill the forming process of aesthetic judgment .
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造型中线条与块面的处理可以加强画面的形式感,使画面具有自身的张力。
Modeling lines and blocks of the treatment can be enhanced screen in the form of flu so that the screen has its own tension .
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油画作为一种西洋画种,无论从形式感,内涵,绘画语言上深深地打上了西方文化的烙印。
Oil painting as a western painting , whether from the form sense , connotation , painting language deeply hit the mark of western culture .
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这是一个很自然的起点,很显然语言在真正被人说的时候在形式感上并非具有逻辑性的。
While this is a natural starting point , it is clear that language as spoken by real people is not logical in the formal sense .
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中国水墨动画的起源是参照了中国水墨画,两者的笔墨形式感相通。
Chinese Ink Animation is a reference to the origin of the Chinese brush and ink , the ink forms a sense of connecting the two .
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任何一件作品的边线处理方式都有它自身的形式感,正如每件绘画作品本身就是该作品内容的一个形式是一个道理。
Edge of a work of any approach has its own sense of form , as each painting is itself a form of content of the work .