戏曲演员

讲究体验强调表现&戏曲演员创造角色的基本原则

On Experience and Performance & the Basic Principles of Roles ' Creation by Opera Actors

另外，阿甲还认为戏曲演员只有在体验的基础上，进行性格化的表现才是真正的戏曲表演。

In addition , AJia also believes that the actor only in the experience of Chinese traditional opera , based on the performance of the real character of the opera performances .

从师范学校毕业后我曾跟随演出团两年，担任电子琴师、独唱演员、戏曲演员等；后又考入本科进行民族声乐方面的学习。

After graduating from Normal School performing group for two years the author has followed , as the keyboard player , solo performer , drama and actor ; later admitted to the college to national vocal learning .

《中国戏剧史》将戏曲史研究的焦点集中在演员身上，这更贴近于戏曲艺术的本体，在一定程度上弥补近代以来的戏曲史忽视演员的不足。

The History of Chinese Drama focus on the character of actor in drama aesthetics which has tighter relationship with the essence of drama , and correct the ignorance of the character of actor in the study on the modern history of Chinese traditional drama in 20 's.

它既有民歌演唱的亲切、自然，戏曲演唱的运腔、韵味，但又不同于戏曲演员和民歌手的演唱。

It has not only the gentleness and naturalness of the folk song but also the tune-pattern and lingering charm of the opera .