木版年画

佛山木版年画图形在视觉传达创意中的运用

Application of Figures of Foshan 's Wood Engraving Picture in Visual Communication

陕西凤翔民间木版年画的艺术特色

The Art Characteristic of Feng Xiang Folk Woodcut Spring Festival Pictures

试论漳州木版年画与日本浮世绘的异同

Analysis on the Differences between Zhangzhou Wood Engraving and Japanese Ukiyoe

中国木版年画的意、形、色

Meaning , shape and color of woodcut picture of Chinese new year

木版年画更是这个艺术宝库中的一朵奇葩。

Wood engraving new-year painting is a gold in the art mine .

论中国民间木版年画的东方样式

On the Oriental Styles of Chinese Folk Wooden Board New Year 's Painting

梁平木版年画工艺当代传承方式研究

Inheritance Way of Modern Graphic Wooden Arts in Liangping

木版年画是民间绘画的一部分，是民间美术的代表。

Woodcut pictures are part of folk paintings , are representative of folk art .

所以说，凤翔木版年画是散落在民间中华民族精神的一个重要组成部分。而民族精神和涵养正式现在中国特色的艺术形式应该借鉴、传承和发扬的重要部分。

Therefore , the Fengxiang new-year painting is an important part of Chinese ethnic spirit .

民间木版年画的造型美与色彩美

Assessment of the Beauty in the Modelling and Colour Schemes of Chinese Folk Woodcut Paintings

中国木版年画的抢救与经验

Experiences of Rescuing Chinese New Year Prints

凤翔民间木版年画迄今已有470多年的发展历史。

Feng Xiang Folk woodcut Spring Festival Pictures has already developed for more than 470 years .

在近代金属制版和新的印制技术出现以后，木版年画又随之衰落。

With the adoption of metal printing and some new printing technology , woodblock printing gradually declined .

精神与形式的嬗变演绎&重庆梁平木版年画的文化背景

The Evolution of Spirit and From & The Cultural Background of Liangping New Year Woodcut in Chongqing

木版年画以绘、刻兼备的样式，成为中国美术中的一朵奇葩。

Combining drawing with carving , the technique of the xylograph is used in print clamp for reference .

本文主要以漳州木版年画的独特地域性文化（闽南文化）为背景依托，对其进行梳理研究。

The paper mainly focuses on related studies according to their unique regional culture ( Minnan Culture ) .

朱仙镇木版年画本身的题材、形式、制作工艺和流程具有农耕时代的民间文化特征。

Its subject matter , form , and process and flow have characters of the farming age culture .

总结出杨家埠木版年画中的色彩美感在中华民族传统文化意识形态下的统一性与独特性。

Uniqueness and unity of the beautiful feeling of the color under the traditional conscious pattern of China nationality are summarized .

具有本土文化特征的朱仙镇木版年画，其审美思想以及造型方法，丰富了现代平面设计语言的表达。

With the native culture features , its aesthetic ideology and composition methods enriched the language expression in modem graphic design .

木版年画是一种极具中国特色的民间艺术。承载着丰富的历史、艺术及文化信息。

Being a folk art with Chinese characteristics , Woodblock New Year picture bears the rich history , arts and culture information .

木版年画是中国民间美术中颇具特色的一个艺术门类，具有鲜明的民族风格、独特的表现形式和精湛的技巧。

With the brilliant national style , unique presentation and exquisite sill , the xylograph painting is one type of Chinese folk arts .

第三点也是本文的重点，研究分析凤翔木版年画的艺术价值。

The third value , which is also the priority of this paper , is the artistic value of Fengxiang wooden new-year paintings .

晋南民间木版年画历史悠久，是具有代表性的晋南传统民间艺术形式之一。

Folk wood engraving new-year paintings in southern of Shanxi has a long history , and is one of representative traditional folk art forms .

民间艺人在长期的艺术实践中形成了自己一整套的程式法则，制作出的朱仙镇木版年画蕴藉着丰富的民俗文化内涵。

Fold artists have formed a model language in formulating the design through generations of practice , and the product contains rich folklore culture .

漳州木版年画主要流传于漳州的芗城区和闽南，岭南一带，并远销台湾地区。

These Wood-block New Year pictures mainly spread in Xiangcheng of Zhangzhou , Minnan and Lingnan areas . They are even exported to Taiwan .

同时，也试图通过对晋南民间木版年画艺术的专题研究为传统视觉艺术的发展找到一个方向。

Meanwhile , I also try to find a way for traditional visual art to develop by specific study on wood engraving new-year painting arts .

而本文对杨柳青木版年画艺术价值及文化意蕴的研究也是木版年画研究领域较少涉足的课题。

But the study of artistic value and cultural implications of Yangliuqing Wood Engraving Picture is a subject that is less researched by other people .

福建闽南木版年画历史悠久，是我国众多年画品种中一个重要的风格类型。

Sothern Fujian wood engraving painting has a very long history , which is an important historical style among lots of various New Year drawings .

接着重点讲述和分析了滩头木版年画的发展概况和艺术特点，充分展示了湖湘民间艺术独特的魅力。

Then highlight the profile and artistic characteristics of the beach woodblock New Year pictures , fully demonstrating the unique charm of Hunan folk art .

通过多次的田野调查，首次对梁平木版年画的制作工艺及传承现状进行了系统的梳理。

First through the multiple fieldworks , has carried on combing of system to the Liangping graphic arts ' production process and inheritance present situation .