在后现代主义思潮裹挟之下，在商业与政治的夹击之中，直接电影这种方法是该放弃，还是坚持？或者有所改良？中国问题，是本文的落幅所在。
Confronting with the post-modernism , the direct cinema finds itself tightly encircled by the commercial and political trap . Should we give it up or insist ? Or make some improvement ? Chinese question is the ending of this paper .
落幅