透视关系

  • 网络perspective relation
透视关系透视关系
  1. 这些“物件”的非现实的“历史感”也通过去除光影、削弱透视关系来传达。

    The unrealistic " sense of history " of the " objects " has been expressed by wiping off light shadow and weakening perspective relation .

  2. 当视点位置不变,将立方体作任何方向的移动,所产生的空间透视关系微妙而复杂。

    When the viewpoint is in an unchangeable position , and the cube is moved in any direction , the space perspective relation produced isa delicate and complex .

  3. 该技术根据图像的几何透视关系计算出场景的背景与前景的深度信息,实现从参考图像到TIP模型的连贯切换。

    Based on the geometry projection of the input image , this approach can calculate the depth information of the foreground and background models , and switch smoothly between the reference image and TIP model .

  4. 在“数据透视关系图”窗口中的“添加类别”下,右击要筛选的数据,然后单击“配置列”。

    In the PivotDiagram window , under add category , right-click the data that you want to filter , and then click Configure column .

  5. 其中重点研究了全景图的生成过程和立体视觉方法中的摄像机的标定问题、对应点的匹配和透视关系的一致性。

    Especially , we attach importance to the producing process of panorama and cinematograph calibration , matching method of homonymy points and coherence of perspective relationship .

  6. 记得试着使每个层的边缘有一点接近开始,但是更多的空间接近末尾(取决于透视关系)。

    Remember to try to get the edges of each layer a little closer in the beginning , and more widely spaced towards the end ( due to the perspective ) .

  7. 传统的Hough变换是在图像空间中检测直线或某种特定的曲线,然后在把直线通过透视投影关系矩阵映射到导航坐标系中间接地得出所需的导航参数。

    Generally , traditional Hough transformation is used to detect the line or some special curves in the image space , and navigation parameters can only be obtained indirectly by finding the corresponding position in the navigation coordinate through the anti-perspective matrix .

  8. 透视中印关系纠葛人类化石分类中的亚种问题

    A Look at the Sino-Indian Disputes in Perspective ON THE CLASSIFICATION OF SUBSPECIES OF HOMO

  9. 以此为基础,本研究得出了三维的透视投影关系,并且找出了视点、屏幕与实物间的最佳投影关系。

    On this basis , this study obtained three-dimensional perspective projection relationship and find the the optimal projection relationship of view point , the screen and the object .

  10. 本文通过分析思想观念上的误区,透视产权关系与权责关系,剖析后勤实体甩不掉的社会管理职能以及短缺的经营人才等问题;

    This paper analyzes some erroneous understanding in ideology , the relationship of property rights and the relationship between rights and responsibilities , their seemingly inseparable function of social administration , and shortage of qualified operation personnel .

  11. 第四:山水画构成与西方透视学的关系。

    Fourth : landscape painting composition and western perspective relationship .

  12. 二维射影对应与透视对应的关系

    The relations plane projective correspondence and perspective correspondence

  13. 分析和透视这些基本关系,不仅有助于更好地把握20世纪美国道德教育的历史脉动,而且对我国的道德教育改革有重要的启示。

    An analysis and study of these basic strained relations can help us better understand the historical development of moral education in the USA during the 20th century and have important implications for the reform of moral education in China today .

  14. 在对中国绘画中透视与审美关系的分析、近现代水墨审美趣味的改变、及对近现代艺术家探索与成果做整体梳理和讨论,总结焦点透视在近现代水墨演进中的重要作用。

    In the analysis of the relationship of Chinese painting in perspective and aesthetic , the Modern Ink aesthetic taste change , and overall combing and discussion of modern artists to explore and achievements , summarize Focus Lens in Modern Ink evolution an important role .

  15. 该模型利用透视投影的几何关系,基于关联基准建立相应的数学模型,进而通过单目CCD摄像机像面坐标,重建物体落点的二维坐标。

    This model can be used to build the corresponding mathematical model between reference points and measured points based on the interconnection base and the perspective projection geometrical relationship . And space two-dimensional coordinates can be rebuilt by using the image coordinates of the monocular CCD camera .

  16. 冷眼向洋看世界&透视当代国际环境关系

    Looking at the World with an Cold Eye Observing Current International Environmental Relations in Perspective

  17. 从道德发生机理的视角透视人与自然关系的伦理支点

    On Ethic Fulcrum of the Relationship between Man and Nature from the Angle of Ethics Production Mechanism

  18. 现代艺术并不是不懂透视,而是要有意超越传统的透视关系,毕加索(PabloPicasso1881-1973)以一种立体的、非欧的方式重新反映世界;

    Not knowing perspective , the modern art is intended to go beyond the traditional relationship of perspective : Pablo Picasso ( 1881-1973 ) reflected the world in a solid , non-Euclidean manner , while M.C.

  19. 根据透视原理推导出物体坐标与透视坐标之间的关系式,由此编制了坐标变换程序。

    It uses the theories on coordinate transformation between the object and its perspective .