陈与义的咏物诗的遗貌取神、侧面着墨的手法正是宋人所开辟的蹊径,并且非常恰当地体现了宋诗皮毛落尽,精神独存的特征。
It believes that seizing the spirit of things instead of describing the appearance is the very new technique which can exactly reflect the Song poem s characteristics .