马克思主义美学

  • 网络Marxist Aesthetics
马克思主义美学马克思主义美学
  1. 新时期关于西方马克思主义美学的论争及启示

    The Debate and Enlightenment of Western Marxist Aesthetics in the New Period

  2. 英国马克思主义美学在中国的译介与研究

    Translating , Introducing and Studying British Marxist Aesthetics in China

  3. 首先,《手稿》是马克思主义美学理论之源。

    First is the source of the thought of Marxism aesthetics .

  4. 艺术理想与人类现实&马克思主义美学观的新解读

    A New Interpretation of Marxist Artistic Ideal and Human Reality

  5. 马克思主义美学视野下的接受美学

    Aesthetic of Reception under the View of Marxism Aesthetics

  6. 摘要西方美学和诗学,是与马克思主义美学和文艺思想相通的。

    Western Aesthetics and poetics are interlinked with Marxist aesthetic and literary thoughts .

  7. 马克思主义美学之劳动与人的全面发展美国南方白人劳动者。

    Labor and All-round Way ; a poor white person in the southern US .

  8. 第一节分析了西方马克思主义美学概念的界定问题。

    The first section is the need for defining Western Marxist Aesthetics ' concept .

  9. 新世纪西方马克思主义美学研究的几个主要理论问题

    A Few Main Theories Problems that " West Marxist " Esthetics Studies in New Century

  10. 艺术与社会的双重关系&西方马克思主义美学理论的现代意义

    A Twofold Relationship between Art and Society

  11. 马克思主义美学是一个开放的体系,具有与时俱进的理论品格。

    Marxism aesthetics is an open system , which possesses the character of change with era .

  12. 中国和西方马克思主义美学都经历了从认识论向本体论的跨越。

    Both Chinese Marxist aesthetics and Western Marxist aesthetics underwent a leap-over from epistemology to noumenon .

  13. 作为科学与意识形态的美学&中西马克思主义美学的一般比较

    Aesthetics as Science and Ideology : General Comparison of Chinese Marxist Aesthetics With Western Marxist Aesthetics

  14. 意识形态、文化批判与人的解放(上)&西方马克思主义美学的时代使命与历史局限性

    Ideology , cultural critique and human emancipation & Time mission and historical limitations of western Marxism aesthetics

  15. 二者的失误都可以在马克思主义美学论著中找到症结。

    The errors of two all can be found the crux in the work at Marxism aesthetics .

  16. 摘要王朝闻对中国马克思主义美学的建设与开拓做出了重大贡献。

    Wang Zhaowen has made an important contribution to the establishment and construction of Marxist Aesthetics in china .

  17. 20世纪中国西方马克思主义美学研究管窥

    Glimpse into the Research on Western Marxist Aesthetics in China in the 20 ~ ( th ) Century

  18. 马克思主义美学在批判吸收各家学说的基础上,科学地阐明了真善美的辩证关系。

    Marxism aesthetic critically absorbed various theories and scientifically explained the dialectical relationship of truth , goodness and beauty .

  19. 20世纪中国对西方马克思主义美学的研究呈渐趋加强的态势。

    In the 20 th century , the research on Western Marxist aesthetics in China took on a strengthening situation .

  20. 现代马克思主义美学必须对后马克思主义美学进行彻底批判,以便建立中国化的、系统的现代马克思主义美学。

    To establish Chinese and systematic Modern Marxist Esthetics , Modern Marxist Esthetics must criticize the Post Marxist Esthetics completely .

  21. 马克思主义美学中的阶级分析理论和艺术的政治潜能说;

    2 , the theory of class analysis of the Marxist aesthetics and the theory about potential political function of art .

  22. 唯物主义美学观从萌芽到确立&从《手稿》到《神圣家族》看马克思主义美学思想的发展

    The Aesthetic View of Materialism from Sprout to Establishment & On the Development of Marxian Aesthetic Thought from Manuscript to Sacred Family

  23. 马克思主义美学研究是上个世纪五六十年代随着苏联实践派美学的引入而在我国开始并发展起来的。

    Marxist Aesthetics was introduced into China in the1950-1960s with Soviet Practical Aesthetics , the study of which began and flourished ever since .

  24. 不论前苏联美学对《手稿》的研究还是西方马克思主义美学对《手稿》的研究都对中国当代美学产生了一定的影响。

    No matter former Soviet Union aesthetics to Manuscript and Western Marxism aesthetics to Manuscript , both of them influence the Chinese contemporary aesthetics .

  25. 20世纪20年代的日本与中国的历史语境,影响、引导创造社主要成员趋向于马克思主义美学。

    The historical context of Japan and China in the 1920s influenced the leading members of the Society and roused their interest in Marxist aesthetics .

  26. 与正统的马克思主义美学相反,马尔库塞认为,艺术的政治潜能在于艺术本身,即在审美形式本身。

    Unlike the traditional Marxism aesthetics , Marcuse consider that the art 's political potential exist in art itself , namely in aesthetic form itself .

  27. 中国马克思主义美学的开创是五四时期马克思主义在中国传播后中国学术发展的必然。

    The initiation of Marxism aesthetic in China is necessity of the Chinese learning development after Marxism spreading in China on the May fourth movement period .

  28. 中国马克思主义美学在学科建设上做出了贡献,但具有学院化的倾向;

    Chinese Marxist aesthetics has made much contribution to the construction of Marxist aesthetics as a discipline , but its studies tend tobe confined to colleges .

  29. 自由是马克思主义美学的逻辑归宿和实践指南&浅析马克思《1844年经济学哲学手稿》美学思想

    Freedom is the Logic Home of Marxism Aesthetics and Practice Guide & Simply analyst the aesthetic thought of Marx 's Economic and Philosophical Manuscripts of 1844 year

  30. 但是,他某些美学主张,特别是早期著作,也为西方马克思主义美学的发生、发展奠定了基础。

    Some of his aesthetic views especially in his earlier works have laid the foundation for the creation and development of the Marxist aesthetics in the West .