组画

水彩作品《矿工日记组画》获省展银奖。

Watercolor work ," Diary of paintings miners ," provincial Show Silver Award .

这两幅画是一组画，作者的意图是要挂在一起的。

These pictures were painted as a pair and were intended to be hung together .

生命·心灵·表现&蒙克与他的《生命》组画

Life . Soul . Expression & Monk and his 《 Life 》 a suite of paintings

罗中立的名字是与“乡土组画”一并镌刻在中国当代艺术史上的。

The name Luo Zhongli is already indelibly inscribed in the annals of Chinese contemporary art history .

这博物馆最贵重的藏品是18世纪画家威廉贺加斯画的两组画。

The museum 's most valuable possessionsare two series of pictures by William hogarth , an18th century painter .

光与色创造的东方意境&论莫奈《睡莲》组画的审美特征

An Oriental Ambiance Created by Light and Colors , the Aesthetic Features of the Water Lilies Murals by Monet

在中国东部的城市南京，劳里的组画正在展览进行时。

Until now . A collection of Lowry paintings is being shown at an exhibition in Nanjing in eastern China .

我们受文化部和中国佛教协会的委派，于1985年绘制了《玄中寺组画》。

In 1985 , the Chinese Ministry of Culture and the China Buddhist Association entrusted us with the responsibility for the work .

我们受文化部和中国佛教协会的委派，与1985年绘制了《玄中寺组画》。

In 1985 , the Chinese Ministry of Culture and the China Buddhist Association entrusted us with the responsibity for the work .

上文多是从组画《1975》、《1979》的社会主题、背景方面思考的，揭示它的文本出发点。

What you 've just read stems from reflections on1975 & 1979 's thematic social context , which also lays the foundation for the works itself .

据阿尔·奥马里表示，90%的人对这组画的反应都是很积极的，但是也受到了不少批判。

While reactions to the series have been " 90 % positive , " according to Al Omari , the artist also received a fair share of criticism .

郭世英或者组画中的另外哪个受难者，他们之成为牺牲的目标和他们蒙受苦难的方式其实是“随机”的。

To Guo Shiying and other sufferers , the reason for them to sacrifice themselves and the form in which they chose to suffer , is " instinctive " .

1976年与詹健俊合作12幅《犟姑娘》组画，参加中央美术学院教师油画作品展；

1976 " Obstinate Girl "( 12 paintings , collaborated with Zhan Jianjun ) published by People 's Fine Arts Publishing House ," Oil Paintings by CAFA Professors ," CAFA Museum , Beijing .

《玄中寺组画》的创作构思和绘制技法，是我们本着对敦煌艺术临摹和研究40多年的经验，主要继承中华民族遗产的风格，吸取了敦煌唐宋时代壁画法华经《化城喻品》等艺术风格形成的。

As Li Chengxian and I had engaged in the study and copying of the Dunhuang Murals for 40-odd years , we did the set of mural paintings of the Mystery Monastery after the techniques and style of the Dunhuang art .

本文从创作《荷塘》系列组画实践过程中的模糊意象开始，到对如何使意象变成画面上的语言形态？在理论与实践的结合方面进行了一系列的研究。

This article from the creation " Hetang " series of group practice in the process of painting fuzzy image of the beginning of how to make the screen image into a form of language ? Theory and Practice in the combination of a series of studies .