艳情诗

但通过吴均诗与宫体诗的比较，使我们对吴均的艳情诗有了更深入的认识。

Through a comparison between Wu Juris poetry and other erotic poems .

论约翰·多恩艳情诗中的张力

Tension in John Donne 's Erotic Poems

第二部分是咏物诗和艳情诗。

Another part chants the thing poem and gaudy love song .

晚唐艳情诗与艳情词南朝文人艳情诗与乐府民歌产生背景的比较分析

A comparative study of the loving poems and folk songs in the Southern Dynasties

从《跳蚤》到《致他羞怯的情人》&玄学派诗人邓恩和马维尔的艳情诗探析

From The Flea to To His Coy Mistress : On the seduction poems of Metaphysical poets

艳情诗的出现，便是这一时期重要而值得研究的文学现象。

The appearance of Yan Qing poem is just the literature phenomenon that is important and worth studying .

这些诗和当时一些格调低下的艳情诗不同，写得形象美丽，蕴藉含蓄，富有朦胧美。

Different from some then amorous poems , these poems are veny beautiful , refined , implicit and fall of hazy beauty .

艳情诗的创作实践，实际上反映了南朝特定历史文化生态中，士人的心态。

The creative practice of Yan Qing poem actually reflected the philistines ' cultural mentality in particular history cultural ecology of Southern dynasties .

艳情诗最早可追溯到《诗经》中，初盛唐时期虽有萌芽，但态势并不明显。

Love poems dating back to " Book of Songs ", although the bud during the early Tang Dynasty , but the trend is not obvious .

另一方面，受基督教文化背景的影响，他的艳情诗表现出强烈的男权意识和歧视女性的特点。

On the other , influenced by his Christian background , he shows the tendency that man is superior to woman and therefore woman is despised in his love poetry .

多恩艳情诗的语言张力和意象张力入手，分析了这两种张力在文本内部的构建。

This article , taking the language and image tensions in John Donne s erotic poems as a cutting point , intends to show the construction process of these two tensions in those poems .

全文分为两个部分：首先对沈约的诗作内容进行研究，从题材角度上，划分为咏物诗、山水诗、艳情诗、感怀诗等四节，来分类论述；

The article is devided into two parts : firstly , study the content of Shen Yue 's poems , respectively discussing his poems which praise the object , the hill and water , romantic love , the emotion and feelings ;

第三部分为刘孝威诗歌的创作内容研究。根据刘孝威诗歌的主要内容，其诗歌大致可分为艳情诗、侍宴应制诗、边塞诗、咏物诗、山水风光诗几类。

According to main precious poetry and song of Liu Xiao Wei content , whose poetry and song may be that the love poems , feast drink the poems , poems writing of frontier fortresses , chant the thing poems mark basically , Scenery landscape poetry .

本文从文化交流的背景展开，探究晚唐香奁诗对朝鲜朝艳情诗的诗歌内容及艺术特征上的影响，细心求证，客观分析，并对其文学价值予以公证地评价。

From the background of cultural exchange , the thesis explores the influence of the Poetry of Trousseau in late Tang Dynasty on the content and artistic characteristics of Korean love poetry . We seek a careful confirmation , objective analysis , and evaluate its literary value .

本文主体共分为四个部分：第一章艳情诗的概念界定及在唐代的发展艳情诗与艳诗虽有交叉、但在内涵和外延上是并不完全相同的两个概念。

This paper is divided into four main parts : Chapter one defines the concept of love poems and in the development of the Tang Dynasty poems and love poems Love Although cross , but in the connotation and extension of the two concepts are not identical .

唐代社会风气开放，享乐之风盛行，城市文化繁盛，传统道德相对松弛，在男女关系上也并不十分禁锢，这些因素为艳情诗在唐代的全面兴盛提供了可能。

Tang socially liberal , pleasure-seeking in vogue , urban culture flourished , the relative relaxation of traditional morality in the relations between men and women are also not very confined , for the love poems of these factors in the overall prosperity of the Tang possible .

在选诗方面，包括三个独特之处：对艳情诗的选录、对特殊题材的诗歌的选录、对陶、谢、王、孟、储、常等田园诗、闲适诗的推崇。

In the selection of poems , Shi Gui displays three unique features : the inclusion of love poems , the inclusion of poems dealing with special subject matters , and the veneration of pastoral and leisure poems of Tao , Xie , Wang , Meng , Chu , Chang .