鬼子来了

他的第二部电影、关于日军侵华的黑色喜剧《鬼子来了》惹恼了中国官员，以至于他们把姜文列入禁导的黑名单长达五年。

His second one , Devils on the Doorstep , a black comedy about the Japanese invasion , had so angered officials that they put him on an industry blacklist of directors for five years .

本文选取姜文导演已拍摄的四部电影：《阳光灿烂的日子》、《鬼子来了》、《太阳照常升起》、《让子弹飞》为个案进行研究。

This paper selects the four films have been shot by the director Jiang Wen : " sunny days "," Devils on the Doorstep "," The Sun Also Rises " and " Let the bulletsfly " as a case study .

遥感图像的获取方法研究质疑与颠覆&关于《鬼子来了》去意识形态倾向的分析

Acquisition of remote - sensing image Query and Subversion

我从没想过要把《阳光灿烂的日子》和《鬼子来了》拍成自传电影。

I never meant to make In the Heat of the Sun or Devils at the Doorstep autobiographical .

生存意识与历史记忆&从小说《生存》到电影《鬼子来了》

Consciousness of Existence and Historical Memory : From the Fiction Existence to the Film Japanese Devil Coming ;

《鬼子来了》讲述的是二战末期一个中国农村的闹剧，获得了戛纳电影节评审团大奖。

The film , a farce about a Chinese village during the closing days of World War II , won the Grand Jury Prize there .

由此本论文将重点以姜文《鬼子来了》与管虎《斗牛》两部电影文本为例，对中国当代电影中的荒诞审美作一简要讨论。

In the present paper , the author briefly discusses the aesthetics of absurdity in contemporary Chinese films , by taking examples of the film texts of Devils on the Doorstep directed by Jiang Wen and Cow directed by Guan Hu .

她还指出姜文一度被禁止进行表演和导演&她指的是2000年，他未经官方许可在戛纳电影节上展映自己的第二部长片《鬼子来了》之后的遭遇。

She also pointed out that Mr. Jiang had been banned from acting and directing at a point of his career , referring to his fate after he presented his second feature film , Devils on the Doorstep , at Cannes in 2000 without official permission .

她还指出姜文“一度被禁止进行表演和导演”——她指的是2000年，他未经官方许可在戛纳电影节上展映自己的第二部长片《鬼子来了》之后的遭遇。

She also pointed out that Mr. Jiang had been " banned from acting and directing at a point of his career , " referring to his fate after he presented his second feature film , " Devils on the Doorstep , " at Cannes in 2000 without official permission .