中国歌剧

7月26日，他的最新作品中国歌剧《凤仪亭》（FengYiTing）将亮相林肯中心艺术节（LincolnCenterFestival）。

On July 26 his latest project , the Chinese opera ' Feng Yi TIng , ' will open at the Lincoln Center Festival .

说古老，是因为早在宋，元时期出现的戏剧形式就是中国歌剧艺术的雏形，被西方称之为“chinaopera”，说其年轻，是因为中国歌剧艺术起步较晚。

That old , because back in the Song and Yuan Dynasties appear dramatic form is the prototype of the Chinese opera , the West called " china opera ", says the young , because the late start in China opera .

中国歌剧对戏曲演唱艺术的吸收

On Chinese Opera Absorbing the Artistic Singing Technique from Chinese Xiqu

我怎么才能买到中国歌剧的票？

How can I get tickets for the Chinese opera ?

中国歌剧萌芽时期为二十世纪二十至三十年代。

Chinese opera stage in twentieth Century for twenty to thirty years .

中国歌剧史上的三次高潮引发的思考

Thoughts Derived from the Three Highlights of the History of Chinese Operas

该部中国歌剧《木兰诗篇》将从11月11日起在日本上演。

The Chinese Opera Mulan will be performed from Nov.11 in Japan .

论20世纪中国歌剧创作的民族化进程

The Statement of the Nationalization Process of the Chinese Opera Creation in 20th Century

迄今为止，中国歌剧已经走过了近九十年的路程。

So far , the Chinese opera has gone through almost eight years away .

最后纵观中国歌剧的发展，对其前景充满信心。

In the development of Chinese opera last , the prospects are full of confidence .

最后，简要总结20世纪中国歌剧创作的实践过程，展望未来21世纪中国歌剧创作的发展趋势。

Finally , it forecasts the development tendency of Chinese opera creation in the 21st century .

我们在中国歌剧院预订了三个座位，但是我女儿来不了了。

We 've booked three seats at the Chinese opera and my daughter can 't come .

中国歌剧的发展从20世纪开始至今基本上经历了三个阶段。

Chinese national opera has undergone three stages of development since its birth in 20th century .

关于中国歌剧的生存与发展问题

Living and Development of Chinese Opera

《华尔街日报》：你导演过很多歌剧，但选择中国歌剧很让人意外。

Q : You 've directed a number of operas , but a Chinese opera is unexpected .

中国歌剧唱腔及演唱民族化研究

The Study of Chinese Opera

歌剧艺术是音乐的重要体裁之一，中国歌剧事业目前正面临着种种挑战。

Opera Art is an important genre of music , Chinese opera career is now facing various challenges .

是中国歌剧史上，首次运用戏曲音乐的手法写成的歌剧。

In the history of Chinese opera , this is the first use of the technique of opera music .

总结出促进中国歌剧发展也加强了女中音的科学性和民族性。

Summed up to promote the development of Chinese opera is also stronger reinforcing Alto scientific sex and nationality .

结语部分再次肯定了施光南先生和歌剧《伤逝》对中国歌剧发展所具有的积极作用。

The epilogue reaffirms the positive role of Shi Guangnan and Shang Shi to the development of Chinese opera .

中国歌剧研究会对“中国歌剧终身成就荣誉”的评选进行了慎重、周密、严格的组织工作。

Chinese Opera Research Institute will organize the selecting and voting for the award in a careful and strict way .

论歌剧《伤逝》中子君艺术形象的塑造及其对中国歌剧发展的启示

Study on the Image Creation of the Opera of Zijun in Shangshi and Its Implications for the Development of Chinese Operas

第一部分简述歌剧的内涵、中国歌剧的来源及发展概况。

The first part describes the overview of the opera , the source of the Chinese opera and development of Chinese opera .

歌剧《伤逝》的艺术特征及其对中国歌剧发展的启示

The Artistic Characteristics of the Opera " Regret for the Past " and Its Positive Effect on the Development of Chinese Opera

同时，简要分析了目前中国歌剧创作所存在的主要问题及相应的对策。

At the same time , it has briefly analyzed the main problems and the corresponding countermeasures of 20th century China opera creation .

第三中国歌剧的全面发展，本章节主要论述了中国歌剧自1957年新歌剧讨论会召开后到50年代末60年代中期，开始呈现出前所未有的繁荣兴盛局面。

This chapter mainly explains the development condition of Chinese opera in 12 years , from to 1957 " The new opera colloquium " .

由于中西方文化及审美原则的差异，中国歌剧的发展走的是与西方不同的道路。

Due to the differences in culture and aesthetic principles between China and the West , the Chinese opera took a different development track .

歌剧《原野》的出现，又让世界更加深入了解到中国歌剧的特色。

The emergence of the opera SAVAGE LAND , it makes the people of the world recognize and understand the characteristics of Chinese Opera .

歌剧《白毛女》是中国歌剧史上第一部真正意义上的民族歌剧。

The opera of the white & baired Lady really is the first real sense of national opera in the history of Chinese opera .

后殖民语境下中国歌剧的诞生从看到被看的身份合成

Post-colonial context of the birth of Chinese opera from the " look " to " be seen " in his capacity as the synthetic