总谱

zǒng pǔ
  • score;full score
总谱总谱
总谱 [zǒng pǔ]
  • [full score;score] 音乐作品的所有声部都写出来的乐谱;特指每个声乐或器乐声部都写在单独谱表上的乐谱

总谱[zǒng pǔ]
  1. 7.Thisisthesimilarcasewith/when这恰如;正如;也会(比较类经典句)这恰如我们虽然看不懂莫扎特乐曲的总谱,却照样能同它的主旋律产生共鸣,击节称赞。

    This is the similar case when the main melody can evoke6 a strong echo for us to clap our hands in admiration7 despiteour disability to understand the score of Mozart ’ s musical pieces .

  2. 论总谱读法中的移调弹奏技巧

    On The Skill of Transpositional Performance In the Score Reading

  3. 施特劳斯用了1941年的大部分时间为自己的最后一部歌剧《随想曲》编写总谱。

    Strauss spent much of 1941 scoring his last opera , Capriccio

  4. 基于色彩总谱的温岭中心区色彩规划

    Color planning of central area in Wenling based on chromatogram

  5. 总谱能量法确定环境γ辐射场照射率

    Measurement of Exposure Rates of Environmental Gamma Radiation Field by Total Spectrum Energy

  6. 这是为弦乐和木管乐写的总谱。

    This piece is scored for strings and woodwind .

  7. 不会读总谱的人怎么能担任指挥呢?

    How can someone be a conductor if they can 't read the score ?

  8. 这个康塔塔有个难度很大的声乐总谱。

    The cantata has a difficult vocal score .

  9. 歌剧音乐、演员、总谱

    Operatic music , singers , scores

  10. 总谱读法是指挥专业的基础必修课程,交响乐队中各种乐器移调读法有章可循,总谱缩编规律有法可依。

    The score reading is one of the base required courses for the specialty of conducting .

  11. 与其说它像下幅画,还不如说它更像一首乐曲的总谱。

    A book is more like the score of a piece of music than it is like a painting .

  12. 当时,我已多少能阅读总谱,小声哼着大提琴的调子,突然,那五个部分如花一般很和谐地在我脑中开放。

    I could by then more or less read a score , and was humming the cello line , when suddenly all five parts blossomed harmonically in my head .

  13. 这恰如我们虽然看不懂莫扎特乐曲的总谱,却照样能同它的主旋律产生共鸣,击节称赞。

    This is the similar case when the main melody can evoke a strong echo for us to clap our hands in admiration despite our disability to understand the score of Mozart 's musical pieces .

  14. 作为戏剧表演艺术的主体&演员,应该像对待一架精密的乐器一样对待自己,进行科学、细致的保养和使用,只有这样才能根据不同的剧本总谱,进行丰富有机的人物创造和舞台生活。

    As the subject of theater performing arts , actors should treat themselves like sophisticated musical instruments . Only by scientific and careful maintenance and usage , can actors create richly-embodied characters and their respective stage lives to meet different needs in different plays .

  15. 本文以小提琴协奏曲《梁山伯与祝英台》为例,结合自己在学习过程中的经验和心得从总谱缩编、制作音色两方面来分析双排键电子琴对管弦乐曲改编的方法。

    ( Including some features of the instrument ) In this article , for example the violin concerto butterfly lovers , I will combine the experience and knowledge from the learning process to focus on the method of score and timbre , which analysis the adaptation of orchestration to Double-keyboard .