界画

论界画的发展和消亡

Discussing the development and disappearance of boundary painting

界画是以宫室、楼台、屋宇等建筑物为题材，采用界笔直尺划线的绘画。

Draw on community palace , pavilions , houses and other buildings as a theme , using industry-foot straight line painting .

清代的袁江、袁耀的工笔山水发展方向是以界画作为个人的风格特征。

The Brushwork of landscape development direction of Yuan Jiang and Yuan Yao of Qing Dynasty was to draw individual style and characteristics .

传统的文化理念和艺术精神的渗入与当代界画创作的发展紧密联系在一起，密不可分。

The penetration of traditional cultural ideas and artistic spirit and the development of the paintings of contemporary community are closely linked and inseparable .

发扬界画的优秀传统，结合时代特色再次发展界画，有其积极意义，可以丰富当今多元化的绘画形式。

Today the boundary painting is nearly lifeless , so we should carry on its excellence and develop it with time feature , which not only has an active significance , but also enriches painting forms .

魏晋时期皇家造园规模进一步扩大，开始出现专门描绘皇家园林的绘画，被称为是界画，这一题材一直延续到宋代。

Royal Wei and further expand the scale of the garden , royal garden began to specifically describe the painting , known as the " world picture ", the theme has continued to the Song Dynasty .

吴门画派这种文人化的园林绘画是非常具有创造性的，改变了以前界画形式为主的园林绘画，并对以后园林绘画产生了极为深远的影响。

Wu School of such literati painting of the garden is very creative , change the previous sector consisting mainly of landscape painting forms of painting , landscape painting and later produced a very far-reaching implications .

但是，相对中国水墨人物画的发展来说，写实性素描作为一种异质文化，它促进还是制约了现代水墨人物画的发展在是当下理论界和画界一直在探讨的一个问题。

However , objective drawing is a kind of heterogeneous culture in thedevelopment of Chinese ink portrait painting .

《曾景祥花鸟画集》的出版是我省乃至我国美术界花鸟画创作成果的又一个丰硕展示。

The publication of Zeng Jingxiang 's Flower and Bird Painting Album is another great show of fine arts creations in Hunan province and the whole country at large .

首先：介绍新年画工作缘起、年画事件概况、年画事件提出的问题，以及学界新年画研究现状。

Firstly , the origin of the new New Year painting cause , an introduction to the New-Year-painting Event , questions proposed through the event and the research status quo of new New Year paintings are introduced .

美术界要求改革中国画的声浪也极其强烈，都激励着徐悲鸿对美术变革的诉求。

Calls for reform of Chinese painting art criticism is extremely strong , inspired Xu Beihong to appeal to the reform of art .