绘画理论

绘画理论向抽象方式的探索与发展

Exploration and Development of Artistic Theories in the Direction of Abstraction

宗炳绘画理论来源小议

A Research into the Origin of Zong Bing 's Painting Theory

为他绘画理论的形成找到依据。

The formation of his paintings find a basis for the theory .

论言意之辩对中国绘画理论的影响

A Study of the Effect on Chinese Painting Theory Put by Language-Meaning Debate

要学的话就剩油画跟绘画理论了。

Painterly theory follows with respect to remnant canvas if wanting to learn .

从绘画理论看中西绘画

Viewing Chinese and Western Painting from Painting Theory

相对侧重于油画创作中大的方面，相关绘画理论，相关绘画学术。

Relative focus on large oil paintings , painting theory , the related paintings academic .

绘画理论是人类绘画艺术实践活动的总结，随着绘画实践的发展而发展。

The drawing theory is the drawing practice product , and develops along with the practice development .

他的绘画理论受到后代书画家的高度推崇，有着划时代的革新意义。

His painting theories were highly thought of by the later painters , and were epoch-making creations .

在历代绘画理论中，对中国画“气韵”的论述颇多。

In drawing theories of all previous dynasties , traditional Chinese painting concerning spirit has drawn a considerable discussion .

随类赋彩理论是对中国传统绘画理论的继承与总结。

Employing the best color to an object with its kind is the succession and recapitulation of Chinese traditional painting theory .

这些看法是在参考西方著名画家的绘画理论并结合个人的艺术创作的前提下提出的。

These viewpoints haven consulted the painting theories of a painter of western famous and combine personal premise of art creations experience .

人品即画品是中国绘画理论中一个重要美学概念。

That The character of a painting is the quality of an artist is and important aesthetic concept in the Chinese painting theory .

邓以蛰指出中国绘画理论具有“画史即画学”的特点和民族特色，他的书画美学研究也始终贯穿着这个主导思想。

Deng Yizhe thinks that painting history is equal to painting study and it is also one of the characteristics of Chinese painting theory .

传统绘画理论中对于绘画色彩主观性的强调，使得对画面的分析与品评都带有过多的形而上精神色彩。

Painting color in traditional painting theory of subjective stress , makes the analysis and evaluation of images with too much metaphysical spiritual overtones .

可以说研究康定斯基的抽象绘画理论是开启西方20世纪现代主义绘画美学的钥匙。

We can say that the research of Kandinsky 's abstract painting theory is the key to the western 20 century Modernism Painting Esthetics .

他在抽象绘画理论方面的研究对于色彩、绘画的形式、绘画表现的重点均有独到的见解。

Abstract painting in his study of color theory and painting in the form of paintings focus on the performance of both unique insights .

宗炳对于自然山水的审美观念和绘画理论对后世的审美活动和山水画创作活动有着极其深远的影响。

Zong Bing natural landscape painting aesthetic concepts , and theories on the future generations and aesthetic landscapes creative activities have an extremely far-reaching impact .

此一时代的审美风格对后世中国绘画理论以至艺术精神的形成都具有重大意义。

The aesthetic style of this era plays a significant role in the formation of Chinese painting theories and even of artistic spirit later on .

在具体的北宋山水画作品中，辅之以绘画理论研究，发现自然观念的新特征，是本文的基本目的。

This dissertation aims to discover the new characters of the view of nature by analyzing the landscape paintings in Northern Song Dynasty with painting theories .

中国古代人物绘画理论中传神论的思想主张充分说明神态的重要性，表情是人物绘画重要表现内容。

Ancient Chinese figure painting theory in the spirit of ideas fully shows the importance of expression , expression is the important content of figure painting .

受传统美学、绘画理论的影响，传统工笔画也具有写意性的特征。

Attributing to the influences of the traditional Chinese aesthetics and painting theories , the traditional fine brush painting also reflects characteristics of free style paintings .

苏轼是我国著名的文学家、书画家，他的绘画理论，尤其是文人画思想在中国绘画史上有着特殊的地位。

Su Shi is a famous writer and artist . His theory of painting , especially his theory of literati painting , is in a special position .

中国画表现光感需要进一步深入学习传统绘画理论，吸收西方有益经验。

Chinese painting a sense of the need for further performance of optical-depth study of traditional painting theory , absorption of the useful experience of the West .

文人画发端于六朝，其绘画理论与实践，从美学史的角度来看，也是庄子美学思想、六朝美学理论发展的自然结果。

From the perspective of aesthetic history , its theory and practice is the natural result of the development of zhuangzi aesthetics and Six Dynasties aesthetic theory .

随着时代的发展，这一绘画理论将融入更多的时代精神，成为引导中国画创新的重要理论依据。

As time goes by , the theory will be injected with spirits of the era and will become an influential theoretical ground in Chinese Painting innovation .

通过对绘画理论的描述，梅洛-庞蒂从身体的高度出发，将艺术的表达提升为生存性的高度，从而纳入人的本质的生成。

Based on the theory of painting described , he promote the artistic expression to the height of human existence , which included the generation of human nature .

他的绘画理论和绘画创作使中国绘画美学得以系统体现.并出现了抽象美的萌芽。

It is possible for his painting theory and creation to make China painting aesthetics systematizing , at the same time it appears the seeds of abstract beauty .

康定斯基的绘画理论对达达主义、表现主义、超现实主义等西方现代艺术流派产生了深远的影响。

The painting theory of Kandinsky has a profound influence on the western modern art schools such as the dada doctrine , the performance doctrine , surrealism and so on .

中国人物画的表现形式经历了数千年的发展演变，形成了多种风格和流派以及独特的绘画理论和造型体系。

After thousands of years of evolution , the manifestation of Chinese figure painting has been developed into many styles and schools with the unique painting theory and modelling system .