具象表现绘画

具象表现绘画方法的教学应用价值

The Applied Value of the Art of Figurative Expressionism in Teaching

本文以具象表现绘画为主要研究目的，探讨写实绘画在历经现代派艺术的洗礼与冲击之后，重新焕发出的新的异彩，以及将来可能的发展方向。

Figurative Expressionism painting for the purpose of realistic painting after baptism and the impact of modernist art , renewed a new splendor , and possible future direction of development .

具象表现绘画方法在学院教学中的意义

The Significance of the Image Painting Method in College Teaching

如何将散乱无章，流变不居的感性意义，变成具有统一原则的相对稳定意义，这即是具象表现绘画的基本方法。

To be how scattered in disorder disorderly , changes perceptual significance which does not occupy , turns has the uniform principles relative stabilization significance , this is not only the embodiment performance drawing essential method .

具象表现绘画方法融合了现象学的方法理论，揭示了绘画艺术的基本涵义，在哲学沉思和视觉追问的两个界面上，展现了作为一种绘画的方法体系的指导意义。

Integration of the phenomenological approach theory with drawing methods like performance , reveals the basic meaning of the art of painting , philosophical contemplation and visual questioning of the two interfaces , displaying the guiding significance of a painting system .

具象表现绘画并非一个传统意义上的风格流派，它不像印象派等诸多团体，所以国外的早期研究理论很分散，主要集中在一些画家自己的言论里面。

With it like a performance of painting is not a traditional sense of the genre , unlike the Impressionists , and many other groups , so the early theory of foreign dispersed , mainly in some of the painter in his own words .

具象表现绘画的研究主要体现在绘画实践中，从塞尚、贾科梅蒂、莫兰蒂到德朗，从阿里卡、森山芳到布列松等等，画家们在追求共同的视觉真实的基础之上，探索各自不同的语言表达方式。

Figurative Expressionism painting is mainly reflected in the practice of painting , from Arica , Moriyama-fang , to Bresson , painters from Cezanne , Giacometti , Meranti to DeLong in the pursuit of a common vision real basis , to explore a different language .