呼兰河传

抒情小说体式的拓展和陌生化叙事&《呼兰河传》解读

Stylistic Development of Lyric Fiction and Unfamiliarized Narration about Hulan River

温情与荒凉共存&《呼兰河传》中叙事者的自我分裂

Coexistence of Warmth and Bleakness & The Self-splitting Narrator in A Tale of Hulan River

从《呼兰河传》看萧红作品对温暖人生的向往

Xiao Hong 's works ' pursuit of warmth of life as viewed from Hulan River

情绪记忆的窗口&《呼兰河传》与《边城》解读

The Window of Emotion Memory

略论萧红《呼兰河传》的语言风格

A Brief Comment on the Language Style of The Story of Hulan River Written by XIAO Hong

聆听《呼兰河传》&萧红叙述话语中的女性意识

Listening to " Biography of Hulan River " & Feminism Awareness in Xiao Hong 's Narration Discourse

苦难与拯救&论《生死场》和《呼兰河传》主题意蕴的对应性

Sufferings and Salvation & On the corresponding thematic relationship between The Ground of Life and Death and Biography of Hunan River

在《呼兰河传》的潜隐主题形态表达中，萧红以女性话语重操乡音寻找家门的隐喻方式，清唱了一首“回家”之歌。

Xiao Hong sang a song of Returning in the metaphor way of feminine utterance in the hidden theme of the Biography of the Hulan River .

受茅盾“寂寞论”的影响，《呼兰河传》的创作主题一直争议颇多。

Due to the impact of Mao Dun 's view of loneliness , the theme of The Story of Hulanhe has been controversial all the time .

辗转的荒凉：《呼兰河传》的回旋式结构将旋钮旋转到全闭的位置，然后旋回到全开的位置，测试是否旋转灵活。

Repeated Desolation : the Circling Structure in The Story of Hulan River ; Rotate knob to full-closed and back to full-open to test for free rotation .

现代精英知识分子启蒙视角观照下的东北乡村&以《生死场》、《呼兰河传》为例

Northeast Chinese Rural Society under the Enlightenment View of Modern Elitism Intellectual : Take Life and Death Field , the Biography of Hulan River as the Examples

女性的才情女性的悲哀&从《呼兰河传》看萧红南楚文化与以悲为美的产生

The Women 's Talents and Sorrow & Research on Xiao Hong from the Biography of Hulan River South Chu Culture and the origination of Viewing Sorrow as Beauty

萧红的《呼兰河传》批判了呼兰河城一些骇人听闻的日常生活、落后的民俗传承、愚昧的习惯势力、泯灭的生命意识；

Xiao Hong 's Hulanhe Zhuan ( Portraits of Hulanle ) is criticism on Hulanhe City : its horrible daily lives , backward customs ; uncivilized traditional powers , desolated consciousness of life ;

其经典长篇小说《呼兰河传》集中体现了她的小说美学和艺术成就，即抒情小说体式的拓展和陌生化的叙述模式。

Her classical novel : " The story of Hu-lan River " is the embodiment of her aesthetics and artistic achievements , which is mainly including style development and unique narrative pattern in lyric novels .

崛起于三十年代的女作家萧红，以她的名篇《生死场》和《呼兰河传》奠定了在中国现代文学史上的地位。

Xiao Hong who came to prominence in the1930 's established her status in the history of modern Chinese literature with her two masterpieces : life and Death Fair and the Biography of Hulan River .

其作品《呼兰河传》既是她临终前的辞世大作，同时又是萧红其人其作颇有争议的“焦点”之作。

《 the Hunan river spread 》 since is she died the your work at time of death and before , is " focus " that its person makes to have the controversy to make again at the same time .

在1949年之前的部分，特别精彩的是萧红的小说《呼兰河传》的节选。萧红大体上可算作是一位左翼作家，1942年不幸英年早逝，只有30岁。

In the pre-1949 section , the standout is an excerpt from the novel " Tales of Hulan River " by Xiao Hong , a loosely left-wing female writer who died tragically young in 1942 , when she was only 30 years old .

本文主要从三个方面对其展开研究，即《呼兰河传》文学接受的基本过程、关于《呼兰河传》的意蕴解读典型、文学接受的影响因素与价值反思。

This paper mainly from three aspects of the research on , namely ," HuLanHe biography " of the basic process of literature acceptance on the " HuLanHe biography " of the meaning of reading literature acceptance of the typical , influence factors and value reflect .

伪满乡村社会与民间文化广场&《生死场》、《呼兰河传》与伪满前后东北地域文化解读

The Rustic Society from the False Manchukuo and the Square of Folk Culture & Analysis and Understanding of Xiao Hong 's Two Novels of " Space of Alive and Dead Persons "," Legend of the Hulan River " and the Northeast Zone Culture before and after the False Manchukuo