折子戏

zhé zi xì
  • opera highlights;highlights from operas
折子戏折子戏
折子戏 [zhé zǐ xì]
  • [highlights from opera] 将全剧中相对独自成戏的段子截取出来,进行专场表演的戏曲形式

折子戏[zhé zi xì]
  1. 随着折子戏表演艺术的日臻成熟,文学性逐渐消退。

    With more mature Opera performing arts , literature gradually subsided .

  2. 本文第二章主要探讨折子戏的选本。

    In the second chapter of the election of the Opera .

  3. 折子戏与戏曲相关课程的多媒体教学

    Application of " Zhezixi " to Multi-media Instruction of Chinese Ancient Drama Curriculum

  4. 从民间小戏到经典折子戏&以《思凡》为个案的研究

    From a Folk Piece to a Classical Episode : The Case of Stirrings of Earthly Thoughts

  5. 然而,折子戏在文学上却显示出与全本戏一致的审美趋向。

    However , the excerpts were shown in the literature with the play consistent the whole aesthetic trend .

  6. 而士大夫文人阶层对折子戏的接受,又反过来促进了戏曲选本的风行。

    The literati literati acceptance of the Opera , in turn , contributed to the popularity of drama anthology .

  7. 在士大夫中,家班的繁盛也推动了折子戏的发展。

    In the literati , the home of the prosperous classes also contributed to the development of the excerpts .

  8. 当一出出华丽的折子戏落幕的时候,谁又真正可以明白自己到底是演员还是观众?

    When a gorgeous excerpts ended when , who can really understand their own in the end are the actors or the audience ?

  9. 另一方面由于折子戏艺术的完备,其对地方小戏的产生与繁荣也起到了不可估量的作用。

    On the other hand the Opera art is complete , the production of local opera and prosperity also played an invaluable role .

  10. 康雍乾三朝,戏曲活动频繁而盛大,据有关资料显示,表演剧目大多为短小承应的折子戏。

    Kangxi dynasties , frequent and grand opera activities , according to the data , performing plays mostly short commitment should be the highlights .

  11. 明代折子戏是中国戏曲从全本戏到折子戏发展的初始阶段,是我们了解折子戏的产生、形成过程的窗口。

    The opera highlights in the Ming Dynasty is the preliminary stage that we can understand the production and forming process of opera highlights .

  12. 关于折子戏的形成,本章就折子戏的界定、折子戏的来源做了梳理,认为折子戏应该包含文本与舞台两方面的内容。

    We comb the definition and source of opera highlights and think that it should contain two aspects of contents of the text and stage .

  13. 本文第一章主要探讨折子戏在清代前中期全盛原因并在此基础上重现折子戏全盛期的面貌。

    The first chapter focuses on excerpts in the Qing Dynasty before the mid-peak and on this basis because to reproduce the look of Opera heyday .

  14. 在明清两朝,《邯郸记》主要是以折子戏的形式出现在观众面前。

    In Ming and Qing dynasty , " The Handan Dream " mainly presented itself to the audience with the form of the highlight from opera .

  15. 在民间,大量职业戏班的出现,也和折子戏的繁盛有着密切的关系。

    In civil society , the emergence of a large number of professional theatrical troupe , but also , and excerpts of the prosperous have a close relationship .

  16. 其剧目虽与《缀白裘》中昆剧折子戏相同,却是向昆曲堂名所学而来,并在艺术形式上形成自己的特点。

    Although its plays are the smae as the kunqu Opera " Sewing the White Fur " , it learned from the kunqu Opera and formed its own artistic characteristics .

  17. 此外,棋艺馆还举办曲艺表演、折子戏、灯谜、讲古、文化艺术讲座、粤剧私伙局等多种形式的文化活动,深受广大群众的欢迎。

    And besides , folk art forms , selected scenes , riddles , story-telling , cultural lectures and Cantonese opera which people popular with , often be played in Chess House .

  18. 折子戏作为中国戏曲史上特有的演出形式和独特的文化现象,其产生、发展和延续既有其外在的文化成因,又有其内在的必然因素。

    As a special performance and a unique culture in the history of Chinese traditional operas , the shaping , developing and continuing of opera highlights account both for external cultural elements and for internal necessary factors .

  19. 本文以秦腔折子戏为例从音乐学、人类学、社会学、民俗学方面来分析,从而为揭示其价值并提出传承与保护的具体措施提供理论依据和智力支持。

    Based on analyzing adaptation for example from musicology , anthropology , ethnology , sociology , so as to reveal its value and puts forward concrete measures of protection and inheritance provides theoretical basis and intellectual support .

  20. 随着《缀白裘》、《审音鉴古录》等折子戏选本的出现和各种昆剧身段谱的行世,折子戏的舞台指向性愈发明显。

    With the " decorated white fur "," Kam ancient recorded sound trial " and other excerpts of the emergence and selection of the spectral lines of various Kun figure world , excerpts stage directional becoming increasingly apparent .

  21. 折子戏在此段时期得以全盛发展一方面由于清前中期戏曲政策的推动,另一方面是传奇这一文体自身弊病的出现而导致文人创作传奇剧本+热情的消失。

    Excerpts peak during this period to clear before the one hand , the medium-term development policy to promote the drama , the other is legendary in this style which led to the emergence of their own ills legendary literary scripts creative passion to disappear .

  22. 明清杂剧、传奇、京剧及地方戏中都有大量的水浒戏,表演形态也很丰富,除全本戏外,还有连台本戏以及大量折子戏演出。

    The legendary Peking Opera and the play have a lot of similar places as " Water Margin " . Performance is also very rich in form , besides all the drama , there are even sets and a number of opera performances in this drama .

  23. 折子戏的兴盛,不仅有利于丰富提高戏曲的表演艺术,更促进了各行脚色形成并发展自己的本工戏,这也为后代戏曲表演艺术流派的形成做了准备。

    Excerpts of prosperity , not only help enrich the performing arts improve the opera , but also promote the formation of lines and color feet and develop their own play in this work , which school of performing arts for future generations the formation of opera made preparations .