古代书画

从范畴到语言符号：古代书画审美语素气的研究构想

From Category to Linguistic Signs : Design of Study on Aesthetic Morpheme " Qi " in Ancient Calligraphy and Painting Literatures

中国古代书画家在艺术创作过程中，形成了独特的美学观念和美学体系。

During the course of art creating , ancient scribe and painter of China formed unique aesthetic conception and aesthetic system .

在中国古代书画、近现代书画和当代书画中，哪些画家或画派的作品占据了市场的主导，这是文章的第一章所要探讨的问题；

Which artists or works of art schools are the dominant ones in the market is the question that the first section needs to discuss ;

本论文旨在讨论中国古代书画领域中的逸这一艺术概念，试图对其含义进行较为清晰的阐发。

This thesis aims to discuss the art concept " Yi " in the field of ancient Chinese calligraphy and painting , attempting to explain its meaning clearly .

在这一年中，在收藏方面，除了收藏珠宝、手表、红酒和雪茄之外，越来越多人将开始投身于国古代书画投资领域。

During the year of2009 , besides jewelry , watches , wine and cigars , more Chinese collectors start to consider traditional Chinese painting and calligraphy as a sound investment vehicle .

只有通过实践，解决上述问题，使基本的修复原则和正确的修复观念广泛传播，才能使古书画修复技艺发挥其特殊的作用，保护人类共有的物质文化遗产&古代书画作品。

Only by solving all these problems in practice and popularizing the basic principles and proper restoring concepts , will the special functions of ancient books and paintings restoring crafts be exerted and the human owned cultural heritages like ancient books and paintings be protected .

中国古代书画作伪揭秘&宋代书画作伪研究之三我国《刑法》关于伪造证据的犯罪包括伪证罪、护人、讼代理人伪造证据罪、助伪造证据罪。

Uncovering Calligraphy and Painting Forgery & Study on Calligraphy and Painting Forgery in the Song Dynasty (ⅲ) The specific charges of fabricating evidence in our criminal law are as follows : crime of perjury , crime of a defender or an agent ad litem fabricating evidence .

在近代科学考古学引入中国以前，中国古代艺术史研究中存在着研究对象仅限于中国古代书画作品、书画家，以及作品中鱼龙混杂、真假难辨等种种缺陷。

Before the introduction of modern archaeology into China , the objects of research were limited to works of painting and calligraphy , painters and calligraphers , and it was difficult to tell the genuine from the false as the good works were mixed with the bad ones .

流传至今的古代画作具有珍贵的考古价值和文化价值，而且在长久保存过程中，自然环境（潮湿、高温、光照、灰尘）或人为保护不当造成古代书画出现不同程度的老化和褪色。

The ancient paintings have precious archaeological and cultural value , but during long-term preservation , the natural environment ( humidity , temperature , light , dust ) or man-made improper protection of ancient paintings introduced varying degrees of aging and fading .