曲式

qǔ shì
  • musical form
曲式曲式
曲式[qǔ shì]
  1. 论古典曲式的形成、发展与演化规律

    On Formation , Development and Evolution Law of Classical Musical Form

  2. 第一章:对《海燕》中引子、快板、慢板、快板再现以及尾声分别进行了详细的曲式结构分析。

    The first chapter are the " Swallow " in musical form analysis .

  3. 第一谐谑曲为复三部曲式,b小调,3/4拍子。

    The No.1 Scherzo is compound ternary form , b minor , 3 / 4 time .

  4. 肖邦《f小调幻想曲》结构形式之分析&初涉混合曲式结构基础的生成原理

    Structural Analysis of Chopin 's " Fantasia in F Minor "

  5. 第四谐谑曲为混合曲式结构,E大调,3/4拍子。

    The No.4 Scherzo adopts a mixed form , E major , 3 / 4 time .

  6. 共性写作时期的非典型曲式中的典型现象脑型血吸虫病不典型MRI表现分析

    On Typical Phenomenon of the Non-typical Musical Forms in " Generality-composing " Period Atypical MRI findings of cerebral schistosomiasis

  7. 从肖邦《c小调圆舞曲》的结构特性谈作品曲式结构的多释性

    On the Multi-interpretation of the Structure Characteristics of Chopin ′ s Music Works Taking " the Waltz No.7 , In C Sharp Minor Op. " as Example

  8. 这个乐章标有Adago(慢板),是6/8拍的A-B-A曲式。

    The movement , marked Adagio , is an AB-A form in 6 / 8 time .

  9. 今晚的吟诵是一首催眠曲,一首哀歌,意在感激,拉格(raga)曲式,表达悲悯与虔敬。

    The chant tonight is a lullaby , a lament , an attempt at gratitude , written in a raga ( a tune ) that is meant to suggest compassion and devotion .

  10. 小奏鸣曲(Sonatine)是相对奏鸣曲而言的,指曲式结构规模较小,音乐形象较为简洁,音乐内容较为浅显的奏鸣曲,一般有2~3个乐章。

    Sonatina in terms of relatively sonata , musical structure refers to the smaller , more compact music images , music content , the more facile sonatas , generally 2 to 3 movement .

  11. 第二乐章采用奏鸣曲式写成,展开部中还包含有一个复三部曲式的插部,热情的快板(Allegroappassionato),d小调,3/4拍子,典型的谐谑曲,具有火一般的热情。

    The second movement , written in sonata form used to start the Department also includes the trilogy there is a complex type of interpolation Department , enthusiastic Allegro ( Allegro appassionato ), d minor , 3 / 4 beat , a typical Scherzo , with fire in general enthusiasm .

  12. 第四章从曲式结构的角度对作品进行剖析。

    The fourth chapter analyzes the musical form of the work .

  13. 古典奏鸣曲式的形成时间是在1770年代;

    The rise of classical sonata form is estimated at 1770 's.

  14. 《副科曲式》标准化考试题型的改革与实践

    On the Reform and Practice of Standardization Test of Musical Form

  15. 试论边缘曲式在幻想曲体裁中的实践

    The Practice of the Borderline Song Form in the Works of Fantasia

  16. 建筑空间序列与音乐曲式相关性

    Exploration of Relationship between Architectural Space Sequence and Musical Forms

  17. 第二部分对该作品的创作背景和曲式结构进行分析研究。

    Secondly , it analyses the background and structure of musical forms .

  18. 第一节作品的曲式结构形态。

    Section I : Works of musical structure and mode layout form .

  19. 第二章:古奏鸣曲式的结构特征。

    Chapter II : Ancient structural features of sonata style .

  20. 膝曲式割管器,用于金属加工,数字控制式

    Knee-type milling cutter for working metal , numerically controlled

  21. 钢琴组曲《南国印象》曲式结构试析

    Tries analyzes the suite Southern part of China Impression musical form structure content

  22. 第五章曲式结构研究。

    Part Five , Study on the form structure .

  23. 第二部分以《孟姜女》、《兰花花》两部作品的音乐风格,曲式结构对比分析作品。

    The second part comparative analyzes the works through the musical styles and structure .

  24. 提升课堂教学效果的必要手段&武汉音乐学院作曲系《曲式与作品分析》多媒体课件的制作与运用

    On the Multimedia Courseware Music Forms and Analyses

  25. 浅谈曲式与作品分析课教学要点

    The Elementary Introduction to the Keypoint of the Teaching of Musical Form and Analysis

  26. 曲式主要建立在两种素材的对比与统一之上。

    Form is mainly based on contrast and unity of two kinds of material .

  27. 复三部曲式、回旋曲式和奏鸣曲式是常见的三种大型曲式。

    Ternary Form , Rondo Form and Sonata Form are familiar forms of large scale .

  28. 古典奏鸣曲式和协奏曲曲式之间存在相互影响的交互期;

    There exists a period of mutual influence between classical sonata form and concerto form .

  29. 《尤利西斯》与音乐曲式结构

    The Musical Forms and Structure in Ulysses

  30. 论古典奏鸣曲式的形成

    The Development of Sonata Form On the Beginnings of the Classical Sonata Form On form