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汉画像石

汉画像石汉画像石
  1. 第二章是汉画像石的界定及类型。

    The second chapter is to define and Han stone type .

  2. 徐州汉画像石中的神话研究

    Myth - study in Xuzhou 's Painted-stones of the Han Dynasty

  3. 浅析徐州汉画像石的意象造型

    The Image Sculpt Characteristics of Xuzhou Stone Relief in Han Dynasty

  4. 南阳汉画像石音乐内容之阐释

    Explanation of Music Implication Interpreted on Nanyang Stone Engravings in HAN Dynasty

  5. 浅析影响汉画像石艺术发展的几个因素

    Analysis of Factors to Influence the Development of Han Figure Stone Art

  6. 中国汉画像石与古埃及石刻艺术的比较

    Comparison between Chinese Han Dynasty stone portrait and ancient Egyptian stone inscription

  7. 陕北汉画像石的文化考释

    Cultural Study of Han Stone Reliefs in Northern Shaanxi

  8. 千年艺术瑰宝&临沂汉画像石

    One-Thousand-Year Art Rarity-Han Dynasty Stone Relief in Linyi City

  9. 与此同时这三个区域的汉画像石雕刻风格也存在相互影响,借鉴吸收的现象。

    Meanwhile the three regional Han stone carving style also existing mutual influence .

  10. 两个世界的神仙系与汉画像石的宗教品质

    Two Different Fairy System and the Religious Qualities of Stone-Images of Han Dynasty

  11. 江苏汉画像石动物图像的宗教意识思考

    Religious Consciousness in Stone Relief of the Han Dynasty

  12. 汉画像石与齐鲁风俗

    The Han Dynasty Stone-carved Picture and Qilu Customes

  13. 五十年来的汉画像石研究

    The 50 Years Study of Han Carved Stones

  14. 汉画像石是中国绘画艺术史上的重要丰碑

    Portrait Stones in the Han Dynasty - Monumental Work in the Chinese Art History

  15. 南阳汉画像石艺术的影响。

    The artistic influence of relieves stone of Han Dynasty in Nanyang , and 2 .

  16. 历史悠久,辉煌灿烂的龙图像是汉画像石艺术重要的组成部分。

    With a long history , splendid perfect like han grave fresco art important part .

  17. 徐州汉画像石装饰艺术研究

    A Study of the Decorate Arts of the Han Dynasty Stone-carved Picture in Xu Zhou

  18. 检验并证实了汉画像石艺术的现代化转化之可行性。

    Inspect and prove the feasibility of modernistic transform of the HAN dynasty stone relief .

  19. 在徐州,汉画像石已然成为汉文化的代表。

    In Xuzhou , stone relief of Han Dynasty has become the representative of Han culture .

  20. 汉画像石和画像砖的平面造型亦是其较为突出的成就之一。

    The graphic portrait of stones and bricks in Han Dynasty is one of the prominent achievements .

  21. 南阳汉画像石表现的题材包罗万象,上至天文星象,下至人文地理。

    All-inclusive of the subject matter of Han Dynasty Stone Relief , astronomy and astrology , to human geography .

  22. 汉画像石艺术是我国文化宝库中的璀璨明珠,蕴涵有丰富的生态智慧。

    The art of the Han Dynasty Stone Carvings is a resplendent jewel of the cultural treasure-house in our country .

  23. 本文旨在论证汉画像石艺术的现代化转化是否可行。

    The purpose of this paper aim to prove the feasibility of modernistic transform of the HAN dynasty stone relief .

  24. 人性的神庙&南阳汉画像石的神话世界

    The holy temple of human nature & On the myth world of stone relief of the Han Dynasty in Nanyang

  25. 因为这些千丝万缕的联系,使得河南出土的汉画像石数量繁多,内容多样。

    Because of these links , making the number of han stone unearthed in henan province is various , the content variety .

  26. 南阳汉画像石是汉代一种特殊的艺术造物形式,至今已有两千多年的历史。

    Nanyang Han dynasty Stone is a special form of artistic creation , has been more than two thousand years of history .

  27. 由于汉画像石是绘画与雕刻结合的具有装饰作用的绘画形式,故兼有二者的特征,在古代艺术中独具特色。

    Since Chinese stone basso-relievo is the drawing form combined by drawing and carving with the decorated function , it characterizes both features .

  28. 南阳汉画像石是我国现存汉代画像石中最具代表性的艺术成就之一。

    The Nanyang Han Dynasty 's stone reliefs are one of the most representative artistic achievements of extant Dynasty 's stone reliefs in China .

  29. 汉画像石是汉代历史的有形载体,也是汉代特有的艺术形式之一。

    Han Dynasty Stone are physical carriers of the history of Han Dynasty , as well as one of the artistic forms of Han Dynasty .

  30. 本文共分四章,首先在第一章的绪论部分对山东汉画像石的发现及构图分类、研究思路和方法做了概述和说明。

    In the first chapter of the introduction in the part of shandong stone found , composition classification , thoughts and methods , briefed and instructions .