写意山水画

进而与当代多元多向的水墨画进行比较、分析，找出中国传统的写意山水画创新的可能性。

And then compared with the contemporary multi-multi-directional ink painting , analysis to identify the possibilities for innovation of traditional Chinese Landscape Painting .

最终结合我在此次毕业创作中对用笔的理解与体会，以求进一步明晰用笔在中国写意山水画创作中的审美价值。

At last , combined with the understanding and felling during graduate creation , I want to explain the aesthetic value of application of writing-brush in Chinese freehand mountain and water paintings .

五代宋初和元代的山水画反差的巨大性造成了后世山水画发展的两大流派，即偏于写实的山水画与偏于写意的山水画。

The great contrast of landscape paintings in Five Dynasties , early Song Dynasty and Yuan Dynasty resulted in the development of the two schools of landscape painting in later period , with one focusing on realistic styles and the other on impressionistic styles .